SPRING is a four minutes and fifty-six seconds experiment with psycho-optics and psychoacoustics to produce a field of moving images and sounds starring Ho Chi Minh, Occupy Wall Street actions and Crocus.

As an ominous voice guides us through Best Is Man’s Breath Quality, we are confronted by dense and complex images and sounds that appear and disappear before us.

Hub proposes that the idea of home is today perhaps better expressed as a sense of being between places.

A contemporary vision of the ancient valley of Anahuac. It has been integrated into the life of the current city of Mexico.

Part of the Hauntology Film Archives series.

Video from the 2nd Interactive Electronic Visualization Event (IEVE), a collaboration event with SAIC's Video Department and the University of Illinois Circle Campus.

The search for one’s true identity, the need to create, to find a proper place in the universe – this is the pursuit of the individuals portrayed in this narrative meditation… It is that quest to find meaning in exist

Phil Morton starts the conversation by discussing an engineering project at the University of Wisconsin which was developing an early video communication system over satellite.

Covert Action is a stunning melange of rapid-fire retro imagery accomplishing Child’s proclaimed goal to “disarm my movies.” “I wanted to examine the erotic behind the social, and remake those gestures into a dance that would confront their co

In Wigstock ’94, Glennda and her friend Bobra attend Lady Bunny’s Wigstock festival. Following the event’s move from the East to the West Village, they explore the changing dynamics and configurations of queer culture in New York.

Deaf Dogs Can Hear is an autobiographical work that traces the tragic yet humourous episodes of the artist as a young girl, and her pet chihuahua.

A. D. Coleman started writing regularly on photography in 1967 for the Village Voice, at a time when very few critics took the medium seriously.

An unseen narrator weaves a textual “map of moral acupuncture” as two BDSM scenarios unfold between queer sex workers and their partn

Though this video segment bears the title Construction Workers Rally, much more than issues of labor are addressed.

My Mother Married Wilbur Stump is a video family album compiled by Skip Sweeney, a founder of San Francisco’s Video Free America, an alternative media facility. The video documents a discussion between the artist, his mother, and sister ab

Scenes from an Endless War is an experimental documentary on militarism, globalization, and the "war against terrorism." Part meditation, part commentary, Scenes employs recontextualized commercial images, rewritten news crawls, and o

“On the surface, Rea Tajiri’s work reads like the standard deconstruction of appropriated popular media via text to which we have grown accustomed in the ’80s.

Featuring Ken and Louise from Wendy Clarke's One on One video series, this video exchange encompasses a shared passion for music and pure emotional vulnerability that creates an incredibly intimate relationship between these two strangers throu

Your Money or Your Life is a video essay on street crime, and on the role played by an atmosphere of pervasive (white) urban fear in structuring and renewing racial antagonism and inequality.

Letting go of realist constraints, and going back to the mirror-images of some of Provost’s famous previous works, we are diving into a cosmic ocean of ever metamorphosing baroque circumvolutions in which our minds try to capture reassuring forms before

Lumbreras is the historical and archeological place of the bones, ruins and detritus. A window thought time, an ancestral rhythm of the audiovisual materials.

50 doves fly out of a window, one by one. Some escape in a rush, some take their time and seem to be hesitating. The Dove symbolizes new hope and new beginnings after a disaster, as in the biblical story of the flood.

A flowing river, an injured arm, a dance floor, and a woman washing clothes in the bay—what carries the dust is the wind.

This is a later reworking of original video documenting the goings-on of the village, Tlocalula, Mexico in 1973. Uses footage from Oaxaca 2004 in the background.

five more minutes is an exploration of grief. Two women spend an afternoon recreating lost time. What begins as play-acting breaks open into a world where the tenderness and sorrow of having to say goodbye exist untempered.

This video takes its departure from the BBC's coverage of the killing of three IRA volunteers by British Security Forces in Strabane, a small town on the border between Northern Ireland and the Irish Republic.

Barry Doupé is known for using crude computer-animation indicative of early video games to create unnatural environments populated by strange abstracted characters.

TVTV's inside view of the 1972 Republican National Convention made broadcast history.

Jim Dine (b. 1935) first emerged as an avant-garde artist creating Happenings and performances with Allan Kaprow, Claes Oldenburg, and others in the early 1960s.

On January 26, 1973, the Videofreex’s installment of Lanesville TV (Channel 3) consists of an interview with a follower of the Divine Light Mission, a semi-religious organization lead at the time by then-17-year-old Guru Maharaj Ji.

“For quite some time the Hamburg artist Cornelia Sollfrank has been researching female hackers and found that hacking is a field completely under male domination.

This is the hauntological image of the sacred Mesoamerican snake. The contemporary flickering of his shamanic presence. Part of the Hauntology series.

Communists Like Us is an ambient music video made from a few seconds of archival footage of Mao Zedong applauding and members of the Red Guard chanting.

Cycles of 3's and 7's is a performance in which the harmonic intervals that would ordinarily be performed by a musical instrument are represented through the computation of their arithmetic relationships or frequency ratios.

Life Without Dreams is set in the outer space of consciousness, where the surfaces of far out planetary bodies form the terrain for an exploration of 24/7 capitalism, insomnia, and the disappearance of darkness.

Derived from Ernie Gehr's Serene Velocity, Lossless #4 is the result of a digital file's debugging routine that reveals vectors describing apparent movement in the frame.

On March 8, 1972, Phil Morton conducted a morning class over the telephone.

In 1991 Montano met a Hindu couple at Ananda Ashram, the meditation center she attends in upstate New York. Since then, the three have become friends. Mr. and Mrs.

After a failed attempt to melt down ballistic missiles into bells and site them in the city they had once targeted, 100 homing pigeons were used as metaphors, each carrying a small bell and capsule containing a Soviet or US flag.

Conceptual artist Hans Haacke’s two most notorious works took unsavory Manhattan real-estate dealing as their subject, which triggered the cancellation of his exhibition Real Time Social System at the Guggenheim Museum in 1971.

Gallup, New Mexico, in the American Southwest, has hosted the Inter-Tribal Indian Ceremonial annually since 1922.

I was fourteen when I put on my first wig. It was, I believe, my sister’s idea. So she and my mother and I went – I forget where…Simmons and Co.? – some elegantish salon with gold lame drapes where they did not do such splendid work.

Eiko & Koma's second son Shin Otake created this video for the occasion of the 2004 American Dance Festival Scripps Award ceremony. Shin edited and narrated the video to convey Eiko & Koma's history and the concepts behind their works.

Naked shows a colony of naked mole rats living in a laboratory. This rare and highly socialized species demonstrates modes of behavior that in uncanny ways seem human-like.

Memory Palace is a short video grounded in the personal history of the artist. A discovery of a photo album activates memories of physical spaces, which in turn open doors to reminiscences of past family life.

Employing the 'case studies' of Helen Keller, Genie the 'wild child' and Angel at My Table author Janet Frame, Goss's extraordinary video contemplates the struggle to be heard, to break free from the prison of the incommunicable self.

An audiovisual experience of the current Mexican war.

"A cinematic doppelganger without precedent, Elisabeth Subrin’s Shulie

Live in San Diego is my first live performance. David Antin, my mentor when I was a graduate student at the University of California at San Diego, encouraged me to perform in front of an audience. Why?

Rare footage of a September 1970 rally honoring the late Fred Hampton, Deputy Chairman of the Illinois chapter of the Black Panther Party. One of the speakers leads the audience in a call and response.