What Could Go Wrong depicts fire trucks, ambulances, fire alarms with sonic distress that document every current disaster….floods, fires, war, food scarcity and police torture are accompanied by Linda Mary Montano singing 7 ballads.

Crush consists of six chapters, the first five portray the transport, bending, piercing, and crushing of various vehicles, cars and trucks.

An experiment in placing lesbian sexuality in its most common environment, daily life.

Reverend Howard Finster was a preacher-turned-folk artist. He created Paradise Gardens Park & Museum, a product of all his murals, drawings, sculptures, and mosaics—and Summerville, Georgia’s largest tourist attraction.

In 1992, Tran came across a New York Times article about a group of hysterically blind Cambodian women in Long Beach, California, known as the largest group of such people in the world.

An intense conversation between two people one evening leads to a pictorial love story about loss and longing.

In 1995 when TJ Cuthand was 16 they felt like the only lesbian at their Saskatoon high school.

A massive video drama made with my students at the San Francisco Art Institute that chronicles a man and wife parting ways amid the clatter of dice in a gambling resort on a painted desert of painted women and panting men.

Seven digital mandala-chakras superimposed on video works made over several decades that relate to each chakra. This video compiles previous works into a chakra composite.

In this interview, American artist, independent curator, writer, and experimental filmmaker, Vaginal Davis reflects on her initiation into the punk rock and art scenes of Los Angeles during the 1980s and 90s, her stylistic influences, and her ongoing efforts to theorize queerness and visuality. Caught between the opposing poles of Hollywood classicism and the rawness of punk, Davis defines her unapologetically gender-bending, campy, and at times aggressively critical performances as scenarios, rather than spectacles or entertainment.

Hokey Sapp Does SPEW features Kate Schechter performing her invented media personality Hokey Sapp interviewing some of the luminaries at SPEW: The Homographic Convergence, a queer zine convention hosted by Randolph Street Gallery in Ch

El Zócalo is an observational portrait of Mexico City’s central Plaza de la Constitutión during one day in August.

Concentrating on abstract shapes and color value, Animation 2 is a record of images manipulated through computer animation.

There is a presence lingering in the dark woods, just under the surface of a placid lake and at the end of dreary basement corridor. It’s not easy to locate because it’s outside but also inside.

Twenty Minutes is about the design and usage of the pulley from the era of Leonardo Da Vinci to the early 21st Century.

Cast: Clifton Bazemore, Derek Bazemore. Animation: Aaron Biscombe.

A response to the inability of his local General Motors dealer to fix Morton's 1974 Chevy van to his satisfaction, this tape blends experimental image-processing techniques with documentation of the faulty vehicle.

Largely focused on the critical use of language both archaic and contemporary, poet Caroline Bergvall’s work asks questions about cultural identity and feminism and explores challenging or unknown historical and political events.

These are the remnants of mass culture in the collective unconscious that spill into reality. Part of the Hauntology and Post-Covid series.

Shot in the northeast United States landscape, Willie and Brewsie reflects on the contemporary resonances of the last novella written by Gertrude Stein in 1946 entitled Brewsie and Willie.

In these "plays" for the camera, the lushness of an afternoon tryst with it’s perfumed colors is displayed center stage.

Jam #1 highlights the colorizing ability of the Sandin Image Processor. This hour-long video compiles a jam session with a piano and drum set, video footage from movies and nature, and visual feedback.

In this now infamous tape, exemplary of his early transgressive performance style, Acconci sits and relates a masturbatory fantasy about a girl rubbing his legs under the table.

"A film about the time of the blast furnaces — 1917-1933 — about the development of an industry, about a perfect machinery which had to run itself to the point of its own destruction. This essay...

In this video, Glennda and sex activist Chris Teen attend the opening of Dress Codes at Boston's Institute of Contemporary Art.

This collection features a selection of short early video works by Laurie McDonald created between 1973 and 1977.

In 50 Blue a young man (the artist’s brother) pushes an elderly disabled man (the artist’s father) in a wheel chair through a muddy landscape. It is a long and exhausting trip to an unknown destination only discovered at the end.

A two part treatise on needs, met and unmet. A painter putters around his apartment. Spoils his cereal with rotten milk, gets a do-over with a fresh gallon.

Cyclops / "monitor" / minotaur.

Note: A 20-second video loop self-portrait.

In this silent video, still images of stores and residential buildings in New York City appear within a cutout template, based on the “giftbox heap” formed by the New Museum silhouette.

Mr. Thomas is in the back garden, performing his new moves in the glorious sunlight, making things happen. Somewhere between ritual, a white suburban war dance and 1970's "keep fit" exercise to lovely music, Mr.

On September 11, 2021, Eiko Otake performed at 7am and 6pm at Belvedere Plaza in Battery Park City by the Hudson River, directly west of where the Twin Towers once stood. This video work is from the 6pm performance. 

"...Roy has set in and spread across the fabric of their lives."

— Mike Kuchar

Executive produced by Sara Diamond at the Banff Art Centre, co-produced by Michelle Baughn and Suzanne Lacy, directed by Tom Weinberg and Dick Carter, and edited by Holen Kahn.

“Drawing on the ancient Nahuatl concept of the animating soul or life force, Tonalli engages the ritualistic powers of the cinema, summoning fire, flowers, and many moons into a frenetic and mesmerizing in-camera collage.

Petrolia takes its name from the redundant oil drilling platform situated in the Cromarty Firth, Scotland.

Made with my students at the San Francisco Art Institute, this video drama explores the thrills and terrors of the Big Top as a travelling circus comes to town bringing with it the promise of cotton candy, eternal youth, and high-flying beefcake.

A newly re-mastered collection of 17 vignettes and performances to camera, produced during 1974-75. Some use props and sight gags to preposterous effect; others star Man Ray, lapping milk from a glass, stopping marbles and dropping balls.

Stavros Deligiorges watches a constantly changing mirror image and narrates his experience. His unscripted narration references “the seam” and the intercultural significance of symmetry.

The Liverpool African Diasporic Filmmakers Network is a collective of filmmakers from the African Diaspora that centre black identity in their work.

The four‐part cycle Parallel deals with the image genre of computer animation. The series focuses on the construction, visual landscape and inherent rules of computer-animated worlds.

"A piece about self-consciousness and the fearful noise of wind in the trees.

The work of Dani Leventhal explores the complicated space that exists between decay and renewal, intimacy and disconnection and the sacred and mundane.

Acid Migration of Culture occupied the main windows of the Donnell Library, the branch of the New York Public Library directly across from the Museum of Modern Art.

“A short image-processed work, Thousands Watch deals with the issue of nuclear suicide.

As one of the early media collectives, Raindance Corporation celebrated an eclectic use of the portapak by taping everything from man-in-the-street interviews to concerts and demonstrations.

Tales of a Future Past is a video about a giraffe and a zebra who fight over an undefined baby creature, in hopes of making it one of their own species.

In New Report, Wynne Greenwood and K8 Hardy are reporters at WKRH - the feminist news station that is "pregnant with information." As Henry Irigaray (Hardy) and Henry Stein-Acker-Hill (Greenwood), these two lesbian feminist artists stage report

There But For resembles a soap opera; its characters—a couple whose relationship has seen better days, a ball-and-jack playing adult/child, and a couple that comes to visit the family—are in the midst of their day-to-day lives (an imitation of

A newsletter meets home movie, made by an experimental filmmaker who was constructing a paper mâché skeleton but whose leg (the filmmaker’s) suddenly went wrong. It got fixed, but (spoiler alert) that’s just kind of incidental. 

Pagan and Christian souls clash in this student-collaborated mix of the defrocked and the deflowered.