Originally filmed as an installation in Berlin, a digital reworking of documentation results in digital video artwork which uses image, narration, and raw sound for the sake of deconstructing and reconstructing.

Aura of IEVE, edited by Phil Morton, is video documentation of the first Interactive Electronic Visualization Event (IEVE) at the University of Illinois Circle Campus.

A trip to the Los Angeles film festival leads to a glamorous gauntlet of flashing smiles and flashing bulbs that add the extra “humph” to a reunion of old friends.

"If there's something big, big that you want to reach for, you begin by dreaming." —Ivonne and Ivette

“A short image-processed work, Thousands Watch deals with the issue of nuclear suicide.

Northern Irish artist Willie Doherty (b. 1959) works in photography and video installation. Since the late 1980s, his work has responded to the urban setting and rural outskirts of his hometown of Derry, Northern Ireland.

A hypnosis-inducing pan-geographic shuttle built on brainwave-generating binaural beats, Deep Sleep takes us on a journey through the sound waves of Gaza to travel between different sights of

Juliana Huxtable was born in Texas and studied at Bard College, NY.

An attempt to explore the metamorphic drama of expanding entomological entities. Sparkles of the screen-membrane in erosion.

In Islands, Fung deconstructs the 1956 John Huston film Heaven Knows Mr. Allison to comment on the Caribbean’s relationship to the cinematic image.

The interior of a trash processing plant. The rhythmic intensity of the machinery as it deals with an endless river of refuse becomes a reflection on the madness of unbridled consumption. 

A specific period of late-night TV channel surfing is dissected and manipulated through fast forward and freeze frame.

Frances, a young Gay Indian (2 Spirit), played by Lacey Hill, is struggling with the aftermath of a gay basing. Through her friendship with her ex Jean, she gathers the strength to go out in public again.

"You always have to be careful. You always have to have the shower backward in order to see the water, which means you better watch out, or you might electrify, or electrocute your stars.

A Prayer For Nettie dramatizes the death of an elderly woman who was Cumming’s photographic model from 1982 to 1993, presenting an improvised series of prayers and memorials for Nettie Harris by people who knew her, and some who did not.

Imagining future Deep Time, Post-extinction, using dark humor to speculate on the defiant vitality of matter to evolve life again. Two billion years from now, the oceans are beyond understanding.

A brief glimpse into a "day at the office" in an edifice dedicated to personal expressions of the inner eye. I subjective view of twisted perspectives reflecting the morbid dreads of he who walks among the talented throng.

In the spring of 1988, video-maker/activist Gregg Bordowitz tested HIV-antibody positive. He then quit drinking and taking drugs and came out to his parents as a gay man.

An Ocean Between Us expresses the desire for a relationship that is made up of transitions, successive time shifts, and coordinated changes without an essential unity.

Designed as the centerpiece of Eiko & Koma’s three-year Retrospective Project, Raven is a radically scalable work.

Eric Fischl's early works were large-scale abstract paintings. While teaching in Nova Scotia, Fischl began to shift from abstraction to smaller, image-oriented paintings, beginning with narrative works that investigated a fisherman's family.

In Reunion in Los Angeles, George Kuchar visits his friend, actress Virginia Giritlian.

The artist swings a live-set small game trap near his extended other hand. The trap swings ominously: will it snap his fingers? The end comes quickly!

Coyolxauhqui recasts the mythical dismemberment of the Aztec Moon goddess Coyolxauhqui by her brother Huitzilopochtli, the deity of war, the Sun and human sacrifice.

lovehotel uses excerpts from the book Fleshmeat by Australian Internet artist Francesca da Rimini, detailing her life online from 1994 to 1997.

An experimental documentary that asks “What is Hip Hop?” Media Assassin deals with popular magazine coverage of the black music scene and efforts to define the new musical forms emerging since the late 80s.

My TV Dictionary: The Drill (1986) translated through digital filtering in 2014.

As two heavily made-up women take turns directing each other and submitting to each other's kisses and caresses, it becomes increasingly obvious that the camera is their main point of focus.

Told through recollections of youth, learning, lore, and departure, this is an imagined myth for the Xąwįska — or the Indian Pipe Plant — used by the Ho-Chunk to revive those who have fainted.

Secret number... secret shape... knower of the secret name... God of the realm of night - I summon you, 'Son of Sin'... arise!

Ruth Jarman and Joe Gerhardt, who comprise the UK artist duo Semiconductor, make moving image works that explore the material nature of our world and question our place in the physical universe.

A behind-the-scenes look at the man behind the trophy and the poisons that taint an otherwise jubilant jamboree.

This title is also available on The World of George Kuchar.

Adapted from a performance by the same name, this courageous video fuses autobiographical material with information about how an alcoholic family perpetuates addictive behavior.

On a gradually inclined plane, attempts are made to scale the rise, and rubber shoe marks leave evidence of the point where all of humanity fails.

In imaginary landscapes where trees talk and frogs turn to handsome princes, Pizzly Bear is a story of a cross between a Grizzly and Polar Bear.

Under the spell of Toloache, the hypnotic images come up.

"Like any other great city, this one offered its populace more than merely every evening freedom. It offered a variety of slaveries to which the freedom might be put.

"Black Holes/Heavenly Bodies-Hell is a high-tech nightmare about a coming-of-age in America in which violence and mediocrity are the potent background noise." – Steve Seid

This 12-minute video by Tom Palazzolo and Chicago writer Jack Helbig tells the story of the recently discovered Chicago street photographer Vivian Maier.

"Love at first sight, one night, down at Silverror’s Saloon!" Mickey R Mahoney and jonCates direct Silverror’s Saloon, the next film in the 鬼鎮 (Ghosttown) Glitch Western

Cuerpos de Papel is a dense visual meditation on sexuality, loss, jealousy and intimacy. It uses rich sensual images to weave a digital portrait of an intimate, erotic, and emotional past.

The genius and mystique of Edward D. Wood, filmmaker, actor, and author, permeates this excursion into the exposed underbelly of cookie-contaminated corruption and moral bankruptcy.

Spiro traveled for one year on the backroads of the southern United States gathering footage for this mobile video project. Accompanied by her dog Sam and a video camera, she travels from Virginia to Texas and back.

In collaboration with DonChristian Jones.

Best known for her drawings and prints, Nancy Spero (1926-2009) worked as an oil painter on both paper and canvas and with installations. As both artist and activist, Nancy Spero's career spanned fifty years. 

A club for misfits who descend into a psychedelic underworld.  Made at the San Francisco Art Institute.

—Mike Kuchar

A political composition on natural resistance. These images are an expiring breath in danger of extinction. These images become extinguished, consumed: a drop, a pure intensity which only appears when falling.

"Blight was made in collaboration with composer Jocelyn Pook. It revolves around the building of the M11 Link Road in East London, which provoked a long and bitter campaign by local residents to protect their homes from demolition.

Dear features the interior world of two teenage Chinese girls in New York City, whose diary entries reveal their concerns related to growing up as immigrants amidst the ever-gentrifying landscape of Chinatown.

We have come to this place of meaning together, celebrating our un-remaindered completeness.