Though difficult at times to understand what is happening due to audio damage, this tape provides rich historical documentation of a protest on Wall Street in May of 1971.
In this 1993 contribution to the On Art and Artists series, artist Art Jones describes his entry into the world of activist media, and the genesis of his belief in the potential for a democratized street-level media. Hailing from the Bronx, Jones recalls his personal dislocation during college, when he began studying film and video at SUNY Purchase. At that time, Jones experienced a cultural isolation, which he mobilized to fuel his practice. This willingness to confront issues of representation and absence, asserting the validity of his own subjecthood, would become a defining characteristic of his work.
In turns funny, disturbing, and glisteningly sensual, small lies, Big Truth is a tape about love, relationships, and the joy and banality of sex in the late 20th Century. It also touches on such issues as morality, voyeurism, nature vs.
Polish-American arist Ed Paschke (1939-2004) received his BFA from the School of the Art Institute of Chicago in 1961 and his MFA in 1970. Paschke was known as a member of the late-1960s Chicago Imagist movement, a group of artists who called themselves The Hairy Who, whose expressive style of figurative painting was rooted in outsider art, popular culture, and Surrealism. Paschke's fascination with the print media of popular culture led to a portrait-based art of cultural icons. Paschke used the celebrity figure, real or imagined, as a vehicle for explorations of personal and public identity with social and political implications.
A performer walks through footage of a pigeon on rooftop of Hotel Principal in Oaxaca. The corporeal form takes flight.
A visualization of phrases used by Prime Minister David Cameron during his Oxfordshire speech addressing the events of August 2011.
A volume of illustrated horrors arrives to stimulate the chatter of those who behold its weighty extravagance.
Provincetown, Cape Cod.
A reconstructed 'landscape' inspired by a drive down 6A. The norm when driving of watching the landscape approaching and receding, and the side-show of dioramas.
–– Ken Kobland
This final weather diary travels through some rough inner and outer domains. Social interactions blend more smoothly than the clash of air masses which threaten to clobber a prairie town in a vortex of violence.
In astronomical terminology ‘redshift’ is a term used in calculating the age of stars by measuring their distance from the Earth.
Clarke works with four men (Paul, Solomon, Eli, and Leslie) making masks for their video image. The video was made through the Arts in Corrections program at the California Institution for Men in Chino, California.
19 out of the 41 shots fired in 10-seconds by four members of the NYPD Street Crimes Unit hit the defenseless body of one Amadou Diallo as he stood in the vestibule of the building where he lived in the Bronx.
Part of paraconsistent sequence series and the hauntology series.
Fiber artist Claire Zeisler discusses her techniques, ideas on art, and training; the conversation is inter-cut with images from her 1979 retrospective at the Art Institute of Chicago. “I... realized I cannot change my techniques too often.
Kentridge's hauntingly beautiful series of animated black and white drawings brings viewers into the artist's unconscious.
In Bataille, fragments from the Akira Kurosawa’s film Rashomon are subject to a mirror effect. A scene in which two samurai fight each other becomes a cosmic field of monsters where horror and pain evoke beauty and joy.
IN TRANSIT was shot in HD video during travels between 2008 - 2010. It is both an observational documentary and an experimental work in form and intent with an overall lyrical quality.
Focusing on the mentorship of Eiko and Koma with the young artists who study and work at the Reyum Institute of Arts and Culture in Phnom Penh, Cambodia, Cambodian Stories evokes questions of tradition, i
Developed in collaboration with and performed by DonChristian Jones.
The first of the series includes:
What Does Away Mean? by Jem Cohen advertises the need to recycle through reconsideration of landfills and garbage disposal.
Acconci's open mouth is framed by the camera in an extreme close-up, bringing the viewer uncomfortably close. A desperate sense of strained urgency comes across as Acconci gasps, "I'll accept you, I won't shut down, I won't shut you out....
Multiple sources of feedback-generated computer animations mixed with images and sounds from electronic oscillators via an analog video switcher. The sound is delayed with Max/ MSP.
"A group of students and teachers gather in an historical mansion in the woods of West Virginia for a week-long retreat in spoken Latin. I observe and I participate while navigating the errata with my camera."
— Sky Hopinka
A short breather that smells of ocean salts and barbecued chicken. Friends gather for a celebration in the sun as the surf rolls in and the smoke heads skyward toward who knows what destiny?
A military installation is beset by unidentified flying objects while the personnel try to come to grips with their own mysterious yearnings and the cumbersome protuberances that protrude from their own species.
Freed documents artist James Rosenquist at home in an East Hampton, N.Y studio in March 1972. Rosenquist and his collaborators work on a project entitled 47 Dirty Band Aids with blaring music dominating the environment while they paint.
The third installment in the Action Series. Two characters engage Ann Hamilton's Headlands kitchen-space and create temporal resonances. To survive they must break the fast (a midnight snack) and service the meal.
"Four days spent in a studio working on a centerfold photo for Playboy magazine provided the subject matter for my film. The magazine itself deals with culture, cars, a certain lifestyle.
A series of portraits either stroked on canvas or snapped on photo emulsions becomes the theme of this travelette as the viewer relives the visions that confronted me during a hop and skip excursion over state lines and bodily curvatures.
Skim Milk & Soft Wax explores Jewish identity from the point of view of the American filmmaker, who was raised to believe that Israel is the "land of milk and honey".
A stutter-step progression of "extended moments" unmasks the technological "miracle" of Wonder Woman's transformation, playing psychological transformation off of television product.
Born in 1987, Ibrahim Mahama is an artist and author who creates monumental installations out of materials originating from Ghana, Mahama's home.
This are the scattered fragments, the scattered mineral fragments in its oceanic evolution, an intermittent becoming of geological massiveness. The mineral geology under the spell of an scattered dance. This is the mobilized fossil.
Budlong Memorial Middle School is heating up.
A Memory of Astoria, commissioned for Museum of the Moving Image, is an impressionistic portrait of the blocks surrounding the Museum in Astoria, New York.
The five-and-dime store pulsates with the stench of she-who-shops. Follow this ragdoll apparition as she haunts the futuristic landscape of our buried past and rejoice in the resurrection of the cellar celebrity.
(chatlandia) uses the public bathroom stall as format and metaphor for Internet relay chat lines (IRCs).
Sirrocco was a drag performer and club icon in Cincinnati, Ohio during the 1980s and 1990s, and was also a close neighbor and friend of Teramana’s.
In this tape, the Videofreex record their visit with Dr. Eugene Schoenfeld, then recognized widely for his popular medical advice column, Dear Dr. Hip Pocrates, which doled out information about sex and drugs.
In this angry answer to the expectations advertising culture places on women and their bodies, Tanaka deftly edits commercial images and sound-bite slogans to underscore the message such images carry: that women exist to please men, as wives, mothers, a
1. The idea that a film about a city, a quiet, architectural film no less, can tell us anything that we don’t already know about urban life at this point in our new century is perhaps a bit arrogant.
Quality Control consists of a series of single take shots of the fine folks of Alabama producing a superior product.
"Beginning in 2020, in response to the cultural and political upheavals that were playing out in the United States, I started making a series of videos to help me understand and cope with what was going on around me.
In this video, Brenda Sexual, Glennda Orgasm, and friends act out a drag queen murder mystery that takes place on their talk show.
Twenty-five years of marriage 'down the drain'!!
System failure: A man repeats the story of a prison stabbing as something goes wrong with the tape.
Wittnerchrome, Exacto Knife, Fishing Line, Sewing Machine
Ensconced in my urban Los Angeles bed, I recount growing up "safe" on suburban Long Island. A cameraman from KCET filmed and lit the piece. This is the only film I ever made that was not filmed by a colleague, friend, or myself.
Performing artist Neil Bartlett plays a gay lecturer whose attempt to go back into the closet is betrayed by the contents of his briefcase.
Taking its title from the four consonants of the ancient Hebrew name for God, Tetragramaton contemplates the relationship between man, technology, and ecological systems.