This experimental video breaks many the silences surrounding lesbians and AIDS. Interweaving the voices of two friends—an HIV+ Latina lesbian and an HIV- Jewish lesbian—the video juxtaposes two very different yet overlapping experiences.

Using color video Freed captures three mirrors in various positions on a grassy lawn. As the title suggests, Freed employs reflections in the work to signify video’s intrinsic quality of spatial manipulation.

In this interview with Melika Bass, a Chicago-based filmmaker and installation artist, Camilo Restrepo discusses how he became a filmmaker and how he chooses to document his native home of Colombia.

A promotional vehicle with lane-changing tendencies, but both hands kept on the wheel at all times.

"One of Baldessari’s most ambitious and risky efforts. Seated and holding a sheaf of papers, he proceeds to sing each of Sol LeWitt’s 35 conceptual statements to a different pop tune, after the model of Ella Fitzgerald Sings Cole Porter.

Sable Elyse Smith's How We Tell Stories to Children is a single channel video that combines found footage, music clips, and audio of the artist reading with video clips of her father recording himself from prison.

The filmmaker accepts the challenge of the philosopher and changes not only a table but also chairs, shoes, jugs, teapots and almost everything else lying around his house.

Pictures from Dorothy is a current day consideration of the symbolism of Frank Baum’s Wizard of Oz.

Cast: Matilda Washington. Music: David Reid.

Gay Tape: Butch and Femme is Cecilia Dougherty's first video work. She was immersed in two things at the time: making artwork, and being a part of the Oakland, California lesbian bar scene. The tape is the child of those two activities.

A significant amount of the hand-drawn animation seen on television today is cartooned in sweatshop-like animation factories in Korea, China, and the Philippines.

Blind man: “It is bad to be alone.”

The Creature: “Alone, bad.”

—The Bride of Frankenstein

It can be so bad to be alone that even an artificial heat is better than none.

Ray Lowden keeps seventy-two large birds of prey, five deer and some wallabies at his place in Northumberland, England. He’s had ten days off in twelve years and loves what he does.

Through her performances and videotapes, Eleanor Antin (b. 1935) creates characters (King, Ballerina, Black Movie Star, and Nurse) while spinning tales that blur fiction and history.

Illness, treatment, recovery, conversation. This experimental short presents stories of illness and disfunction, bringing together but also separating two performers, their stories, their bodies.

... it's not what it used to be.

a personal album and homage, in my own way, to an influential film ... a closet-cleaning scrapbook of beloved photos and oddities ‐ and the gift of fire.

–– Ken Kobland

“Many artists developed systems or took on languages to structure their compositions. For this score, Nelson Henricks chose to appropriate English musical notation, which uses letters from A to G to identify the notes of the scale.

On April 6th, 1974, this episode of the Videofreex’s production of Lanesville TV aired, including four segments: a choreographed piece by the Elaine Summers Dancers, a Vietnam tape titled “Where do you get your money?,” several phone conversati

In Birth of a Nation, Jem Cohen takes his camera to Donald Trump’s presidential inauguration and to the next day’s protests.

“But these meetings, these partings, finally destroy us.”

—Virginia Woolf, The Waves (New York: Harcourt, 1978)

The set of Bewitched is a spiritual battleground of overlapping zones — human, alien and cyborg — in Bobby Abate's latest ontological mystery film.

Shot in December 1969, this video documents a live performance by the Incredible String Band at the Fillmore East, NYC.

Fences Make Senses re-stages and interrogates international barriers and borders using the bodies of non-refugees.

In 1973 Joan Nestle co-founded the Lesbian Herstory Archives, an essential collection of documents, writings, and artifacts of lesbian cultural history.

A short anecdote created for an exhibition in commemoration of the events of September 11.

Touch Parade is a 5-channel HD video installation consisting of crush (9:22 min. loop,) squeeze-2-pop (5:49 min. loop,) wading (3:41 min. loop,) glove love (6:58 min.

This suite is a set of circular and fragmented compositions, in which a rhythmic and haunted dance hides an eroded lunar landscape. The microscopic rubble of our contemporary civilization. Part of the Lunar Films series.

In i am wise enough to die things go (2023), Syms explores the idea of psychosis through an unnamed protagonist reciting a monologue.

A short portrait of artist Anne Truitt (1921-2004).

Reclamation is a documentary-style imagining of a post-dystopian future in Canada after massive climate change, wars, pollution, and the after-effects of the large-scale colonial project which has now destroyed the land.

"Love at first sight, one night, down at Silverror’s Saloon!" Mickey R Mahoney and jonCates direct Silverror’s Saloon, the next film in the 鬼鎮 (Ghosttown) Glitch Western

Cambodian Stories is Eiko & Koma's multi-disciplinary collaboration with Reyum Painting Collective, young painters who study and work at the Reyum Institute of Arts and Culture in Phnom Penh, Cambodia.

Rust was commissioned by the American Dance Festival and performed on chain-link fences hung vertically in the center of the stage. Performed nude in silence.

Four short pieces: three featuring anecdotes and conversations, the fourth an icy landscape.

Forbidden to Wander chronicles the experiences of a 25-year-old Arab American woman traveling on her own in the occupied territories of the West Bank and Gaza Strip during the summer of 2002.

Focusing on early media reportage of the AIDS epidemic and the struggle for gay rights, some aspect of a shared lifestyle begins with the outraged response of the gay community to the 1982 Supreme Court ruling upholding a sodomy law in the Stat

Morayngava: the “design of things.” Yngiru: the box of the spirits, the films, just like xaman dreams. This is how the Asurini define video, which has just arrived in their village.

Hal Foster is Professor of Modern Art at Princeton University, and has written and edited numerous influential books on postmodernism, art, and culture.

“Trypps #7 (Badlands) charts, through an intimate long-take, a young woman's LSD trip in the Badlands National Park, before descending into a psychedelic, formal abstraction of the expansive desert landscape.

A Kafkian vision of the New World. The arrival of Karl Rossman to the contemporary Babylon under the spell of the paranoid avant-garde. Kinetic coexistence of the archaic forms in dissolution.

Part of paraconsistent sequence series and the hauntology series.

Playing off the notion of “interactivity”, Utopia poses itself as a video game plugged into the social consciousness of contemporary California.

Done To (alternately titled It Is, Done To) consists of simple still-frames accompanied by a complex, incongrous soundtrack, or silence.

An incomplete and imperfect portrait of reflections from Standing Rock. Cleo Keahna recounts his experiences entering, being at, and leaving the camp and the difficulties and the reluctance in looking back with a clear and critical eye.

A stay in Fairfiled, Iowa reveals the American dream being riddled with that which dwells on distant planes and the need for our nation’s people to express the forces of good and evil via videography and pyrotechnical vomit.

For 200 Nanowebbers, Semiconductor have created a molecular web that is generated by Double Adaptor's live soundtrack.

In Reel 1, newly re-mastered in 2005, a series of vignettes and jokes to camera take place, some starring Wegman’s droll and obliging canine partner Man Ray.

Susan Mogul's fantasies of success have always a comic, congenial twist, as in Dear Dennis, a video letter to Dennis Hopper inspired by her discovery that they share the same dentist.

A collection of early feminist videos curated by Maria Troy, Associate Curator of Media at the Wexner Center in Columbus, Ohio.

“Spellbeamed uses the acts of translation and transcription to amplify the questions: ”what is a score?” and “what kind of musicalities can be transmitted through extended ideas of scoring?” The inspiration for the piece was

Using “found” imagery shot in a SoHo playground, the first part of the Damnation of Faust trilogy explores the possible relations between childhood play and a woman looking on from outside.