A camcorder diary and chronicle of public opinion in Moscow during a time of huge political, economic, and hence cultural, changes in the former Soviet Union.

Love is in the air as newlyweds chomp on cake, brides marry werewolves, and hatchets fall on adulterous heads.

Linda M. Montano: 14 Years of Living Art is a video catalog of the artist’s exhibition, performance and workshop in Montreal in 2003.

This is the contained power of the sacred seeds, the vibration of the ancient seeds of corn and their passage through an ocean of pulsating luminosity. A germinal liturgy of holy seeds.

"Actions, states, one B+W video camera, the Paik Abe Colorizer, a video switcher. The two states, a b a b, I put my hand in the camera frame and saw a colored hand shifting.

This humorous selection of performance-oriented videos maps a trajectory between consumer society and psychoanalytic confession. HalfLifers perform two rescue missions using colored snack food and everyday objects as means towards transcendence.

In collaboration with Iris McCloughan.

"In Some Dark Place, filmmaker Cecelia Condit explores the dislocations of identity and memory that aging forces upon us, without losing sight of life's beauty."

— Milwaukee Film Festival, 2016

Family Court introduces us to the world of good, clean, family fun and leisure. 

A political composition on natural resistance. These images are an expiring breath in danger of extinction. These images become extinguished, consumed: a drop, a pure intensity which only appears when falling.

Identically dressed, and with sibling-like resemblance, performance artists Trevor Martin and Kym Olsen shift between spoken word and athletic dance choreography in a collection of 29 scenes.

Students reclaim a popular gathering spot on the campus of the University of Virginia.

Rhythmically chewing their meals, a herd of cattle creates interesting shapes, patterns, and movements in this “keyed” (a process of dividing areas of a black and white image into percentages of gradation) and colorized work.

A promotional vehicle with lane-changing tendencies, but both hands kept on the wheel at all times.

In Over My Shoulder, Gordon uses hand gesticulations against a white sheet to communicate both violent and sensual emotions.

Lambert is a Chicago-based musician and media artist. His creative output primarily consists of vocal driven art-pop music and pop-inflected video art made from repurposed industrial and commercial media.

A major figure among underground filmmakers, Stan Brakhage (1933-2003) boasted a prolific career that spanned more than 50 years and 300 films.

Segalove re-enacts the trials and travails of her desperate, hormonal, pubescent years with actors dancing their way through what looks like a techni-color version of the Cleaver’s backyard.

Shooter explores the idea of overt manliness, exposing it to be a flaccid gesture and an exercise in posturing.

The confession of a woman who took flight... A woman tells a tragic story straight to camera. The camera seems to be looking for the spot where the pain is, but the woman is too quick for the viewer.

Right after the first Iraq war, the filmmaker visits his family in Iraq.  He tries to reconstruct the war from different points of view, all depicted on the same screen at the same time: U.S.

Linda Williams writes on what she calls “body genres”: melodrama, horror, and, most famously, pornography.

Timely concerns about the future of video, artists’ complicity in the money making system of the ‘establishment,’ and the effect of the camera’s presence on personal encounters, is discussed and debated in this late night video produced by David Cort, C

The artist visits with seven cosmetic surgeons specializing in blepharoplasty (cosmetic eyelid creasing surgery) in the West Hollywood/Beverly Hills area for initial consultation sessions.

In the video Glennda does DC, Glennda interviews people in Washin

This is a video that celebrates the New Year with a banging of plates and licking of bowls. The viewer gets to witness a house of canned celluloid and the watery vistas of a Bay Area burgh.

A short, hilarious cooking mantra, featuring Sister Dimension, The "Lady" Bunny, RuPaul, David Dalrymple, Lahoma Van Zandt and Maria Ayala. "Where's the pickle? That's the surprise!"

A short production I concocted with the students from the School of the Art Institute of Chicago and a tour through the old Playboy Mansion in Chicago where I bedded down for several days, alone and confused.

Prophecies of doom, disaster and political catastrophe envisioned by some of the world’s most famous psychics between the 1960’s and the year 2001 are conjured up through 3D-animation, industrial films, text and historical footage -- the sum of which co

History haunts the border town of Columbus, New Mexico when riders on horseback cross the border to commemorate Pancho Villa's 1916 raid.

"Look how the willow shoots its fine sprays into the air! Look how through them a boat passes, filled with indolent, with unconscious, with powerful young men. They are listening to the gramophone; they are eating fruit out of paper bags.

CB is an experimental bio-pic: its heroine, Charlotte Brontë. A collaboration between Doug Ischar and Tom Daws, CB was commissioned by the Laumeier Museum, St. Louis, for their inaugural Nightlight series.

Wawa peeks at the anxieties and difficulties of communication through the interactions between speakers of an endangered Indigenous language, each from differing cultural backgrounds and generations.

Part of the paraconsistent sequence series.

The colorized abstractions of Moog Images were created by feeding Moog synthesizer oscillators into the video inputs of a television monitor.

Pirated satellite feeds revealing U.S. media personalities’ contempt for their viewers come full circle in Spin.

As the AIDS epidemic took hold in the early 1980s, self-help guru Louise Hay created a space for healing called the Hayride.

Andries Botha (b.1952) creates sculptural forms made of found objects and natural materials which serve to interrogate the natural and social order. His work has been exhibited extensively throughout Africa and Europe. Botha lives and works in Durban, KwaZulu-Natal, South Africa.

“All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses his real conditions of life, and his relations with his kind.”

A chilling and revealing look at bureaucratic techno-speak, Finley provides a course in “official” media rhetoric, presenting terms and decoding for the audience (i.e.

Lines of Force opens with footage of a dramatic explosion. For most of the piece, the screen is divided, into a triptych at first, and slowly into horizontal and vertical bars.

Taped on Prince Street in Soho, New York City, Skip Blumberg creates a one-word performance.

If anyone slaps you on the right cheek, turn to them the other cheek also. (Matthew 5:38-40)

Nest of Tens is comprised of four alternating stories which reveal mundane yet personal methods of control. These systems are derived from intuitive sources.

This is a kinetic tribute to Sylvia Plath at a time of the pandemic vortex, a dissemination of suspended bodies in the liminal space. Haunted figures in the Capitalocene era.

"Presented in seven parts, Beauty Plus Pity considers the potential for goodness amidst the troubled relations between God, humanity, animals, parents and children...

Our Non-Understanding of Everything is a series of 16 videos that explore how the structures of architecture, semiconductors, and circuits become forms of expression reflecting hierarchies,

Jonas uses reflections on a lake as a mirror to displace reality, creating a disruption and the illusion of presence.

A wonderfully witty work about nostalgia and desperation. Anne McGuire portrays a Kennedy-era singer performing in the space where theatre meets television. McGuire's Garland-esque gestures provide both a sense of tragedy and humor. I Am Crazy And You’re Not Wrong weaves narrative, performance, memory and history into an ironic and haunting work of singular proportions.

Robert Colescott paints expressive parodies of Western masterpieces.