Between basement and stoop, PBRs and politics, two bros discuss rock music history, protest, incarcerated relatives, fine cheese, the book plot of Bridge to Terabithia, and lesbian girlfriends.

In Love Tapes: Two Museums, speakers from the Wadsworth Atheneum Museum of Art (Hartford, Connecticut) and The Museum of Modern Art (New York) share their thoughts and memories of love.

In Stitch, computer graphics are altered with image processing effects. Beeps and electronic music provide a soundtrack as abstract structures and evolving shapes and patterns rotate in space.

An examination of venture capital, Nothing Ventured documents the tough negotiations that take place when entrepreneurs and bankers meet.

Executive produced by Sara Diamond at the Banff Art Centre, co-produced by Michelle Baughn and Suzanne Lacy, directed by Tom Weinberg and Dick Carter, and edited by Holen Kahn.

Commissioned by the Whitney Museum of American Art and The American Center in Paris as part of their international Trans Voices project, Nation flashes contradictory formulations of language, politics, and medicine across a sharp and c

Turn the lights down / Way down low / Turn up the music / Hi as fi can go / All the gang's here / Everyone you know / It's a crazy scene / Hey there, just look over your shoulder / Hoo hoo / Get the picture?

The Videofreex tape a group of young people working on a farm run by Chris Locke and his wife in Shandaken, NY.  After learning how to take care of the chickens, they are taught how to kill and pluck one.  Later they sit down for a communal di

A two-part study of the self-sustaining lifestyle of a communal farm in Vermont. 

As a video journal shot by George Kuchar’s students in his Underground Drama class at the San Francisco Art Institute, George Kuchar Goes to Work offers a unique glimpse into the frenzied chaos that was his directing method.

An episode from a Lebanese TV series entitled Image + Sound.  Each episode in this groundbreaking program was based on paralleling TV news images alongside staged events. This episode was shot at the St.

Contra-Internet: Jubilee 2033 is a re-imagining of scenes from filmmaker Derek Jarman’s 1978 queer punk film Jubilee, starring Susanne Sachsse and Cassils.

In this episode of The Brenda and Glennda Show, Brenda and Glennda create a satire of 1990's infomercials. The video includes interviews and performances by Vaginal Davis, Bruce LaBruce, and Chris Teen.

Flesh and blood souls breathe forth the colors of doubt, guilt and a hope for "peace of mind" in a world without moral directions...

A contemporary vision of the ancient valley of Anahuac. It has been integrated into the life of the current city of Mexico.

Banshee is a duet between Margaret Leng Tan playing The Banshee (Henry Cowell) and Eiko's Night With Moths (camera by Rebekkah Palov) in a performance of The Duet Project: Distan

Impetigo is the story of passion and possession in a steamy nocturnal landscape. The title is a reference to the poem A Man All Grown Up is Supposed To, by Terry Stokes.

Backwards Birth of a Nation is a re-editing of D.W. Griffith's 187-minute film, Birth of a Nation (1915), into a pulsating 13-minute black and white phantasm.

In New Report, Wynne Greenwood and K8 Hardy are reporters at WKRH - the feminist news station that is "pregnant with information." As Henry Irigaray (Hardy) and Henry Stein-Acker-Hill (Greenwood), these two lesbian feminist artists stage report

"I'm not finished. I don't know how long it's going to take. As far as I'm concerned I'm officially dead."

In Rotten Apples, George Kuchar explores the themes of life, lust, decay and death, all through the act of grinding apples for cider.

A huge isolated rock in the midst of the desert in Australia: Ayers Rock.  I produced two contrasting films around this rock: Moments at the Rock was shot with an amateur video camera, amazing color changes, and time-lapsed compressed sequ

This arresting early work conveys a tension that emanates from what Tanaka posits as life's basic dualities: male/female, past/present, known/unknown.

A man explains global currency markets without the help of his formerly trusty rockin’ talkin’ pony, who is missing. Without the pony, the world is as disorientating as it is depressing. The audience is invited to help make order of the chaos.

In this tape, the Videofreex record their visit with Dr. Eugene Schoenfeld, then recognized widely for his popular medical advice column, Dear Dr. Hip Pocrates, which doled out information about sex and drugs.

Kidlat Tahimik is a Filipino filmmaker, writer and actor who takes his name from the Tagalog translation of “silent lightning.” Known as the “Father of Philippine Independent Cinema,” his contemplative films are associated with the Third Cinema movement

Breder used Stavros Deligiorgis’s encyclopedic ability to make associations as an element in this video art and performances, providing a kind of intellectual running commentary in works such as Intertext (1976).

Co-commissioned by the Dance Center of Columbia College Chicago and Danspace Project, Death Poem is a meditation on dying. Eiko dances a long solo on a futon under a mosquito net, accompanied by the sound of insects and cicadas.

This is an edited excerpt of Eiko and Iris McCloughan's experiment working over Zoom on May 5, 2020 as a part of Eiko's Virtual Creative Residency hosted by Wesleyan University. 

Next Atlantis is a video/sound collaboration between composer Sebastian Currier and filmmaker Pawel Wojtasik.

1! is part of the Pop Manifestos series, a five video project realized in collaboration with Cokes' former students Seth Price and Damian Kulash, and originally conceived as part of a series for the conceptual band SWIPE.

More than three thousand insects appear in this film each for a single frame. As the colours glow and change across their bodies and wings it seems that the genetic programme of millions of years is taking place in a few minutes.

Painter/mixed media artist David Dunlap creates installations and performances that draw from the notebooks he has kept since the mid-’70s—giving three-dimensional, public form to his intimate thoughts and diaries.

In Dani Leventhal's video, 17 New Dam Rd., we are invited along on a house visit with a familial group. There's trash in the garden, guns on the sofa, and marshall arts in the living room.

Endless Dreams and Water Between is a feature film with four fictitious characters sustaining an epistolary exchange in which their “planetary thought” is woven with the physical locations they inhabit, visual and aural characters in themselves

A visualization of phrases used by Prime Minister David Cameron during his Oxfordshire speech addressing the events of August 2011.

In this video, Glennda Orgasm and Jackie Offie attend Lollapalooza '95 on Randall's Island, New York.

There is no need to "sin" because Hell is here, just go to the window and peek out…. It’s next door and is on display in this movie.

This is the hauntological image of the sacred Mesoamerican snake. The contemporary flickering of his shamanic presence. Part of the Hauntology series.

Moments of resistance are collapsed and woven together; from documentation of the Indigenous led occupation of Alcatraz, to the reclamation of Cahokia and the repatriation of the ancestors, to one’s reflections on their body as they exist in the world t

Peggy and Fred meet up with Peter the Penguin, to once again make their way through the fragmentary remains of 20th Century American culture. They fashion a tumultuous, arbitrary world that teeters dangerously on the edge of nonsense and oblivion.

A fireworks display heralds the appearance of our heroine. She walks a hotel corridor with balloons held aloft and champagne on call. But then she stumbles. The perils of success.

Right after the first Iraq war, the filmmaker visits his family in Iraq.  He tries to reconstruct the war from different points of view, all depicted on the same screen at the same time: U.S.

A tour of acting gigs that come my way and the people behind the cameras that aim at my expanding torso. A bloated ham in action on the West Coast and the thespians that rub shoulders with his hind quarters. Shot in San Francisco and Hollywood, USA.

Museum collections of various kinds are the object of artist Dana Levy's ongoing, consistent study in the past decade.

flight is a frame-by-frame re-editing of an astronaut walking on the moon into a seven-minute long meditation on technological transcendence. The unstable, stuttering image depicts the astronaut's struggle to separate from his body.

Decidedly low-tech, this optical abstraction begins with a shot of an aluminum reflector inside a lamp; a lightbulb in the shot’s center flicks on and off.

The season sweeps through in a blur of glitches, gulps and sweetened goo, as chimes wring out the old and ring in the new.

This title documents events at the opening of the 1970 exhibition Vision and Televison.

Electric Yogurt documents different modes of childlike play, beginning with footage of a group of people dancing together with arms outstretched against a background of growling, cooing, and coughing.