Madi plays an interactive on-line computer game in the privacy of her apartment.

In this video diptych, Snyder uses image and music to depict opposing forces in semi-abstract terms.

This final weather diary travels through some rough inner and outer domains.  Social interactions blend more smoothly than the clash of air masses which threaten to clobber a prairie town in a vortex of violence.

Nang has lived outside the box. Born in a Trinidadian village in 1934, she grew up poor, illegitimate, mixed-race and female, but she survived by defying convention.

Blumenthal constructs a loose narrative around the sexual evolution of a woman (played by Yvonne Rainer) through a stunning collage of images appropriated from TV and film. Certain images come to dominate this effusive stream—tall buildings, sex scenes, an Elvis movie, the courtroom, fireworks. Doublecross pits the indeterminate, disruptive power of the erotic against the rigid, normalizing structures of family, law, marriage, popular culture, movies, and music—societal institutions that codify sexual relations.

This is a gaze of the body and a notion of spectator that the 90´s decade constructed, this is the audiovisual legacy of the 90's for our actual audiovisual control world.

Annie Lloyd is a daughter's poetic documentation of the last few years of her mother's life and an intimate portrayal of the creativity and wisdom of old age.

The likeness of a relative of the filmmaker surfaces as a tattoo on the arm of a Ukrainian soldier. A U.S. Army post in Oklahoma, built to fight Kiowa and Apache, is rededicated to aid in the fight against Putin’s own Western expansion.

In this futuristic computer-animated landscape, confused relationships between objects and people play out before the backdrop of a lush garden and interactive theatre known as the Big Ghost.

Sentences is a beguiling, hypnotic meditation on the poetics of space.

Dee Dee Halleck is a media activist, one of the founders of Paper Tiger Television and the Deep Dish Satellite Network, and was a professor in the Department of Communication at the University of California-San Die

Taped shortly after the creation of the Air Gallery, this conversation between painter Howardena Pindell and Hermine Freed concerns the women’s independent gallery and its role in the feminist movement.

Our Non-Understanding of Everything is a series of 16 videos that explore how the structures of architecture, semiconductors, and circuits become forms of expression refl

On the horizon, beyond their reach lies the shores of Poetry, and beneath their feet the chaos of Hell!

A journey that begins in a Kansas City hotel and ends up in New Mexico. The bumpy ride is fuelled with libidinous juices as it lurches through college dormitories and sun-baked ghost towns. Rocks are lifted and things crawl out for all to see.

Parnes moves further into her interrogation of horror genres and the art world, with their sometimes over-lapping cults of personality.

Estelle Jussim (1928-2004) was regarded as one of the most influential voices in photography and media. An art historian and a communications theorist, Jussim wrote extensively about photographers, movements, and institutions, incorporating postmodern, deconstructionist, and feminist viewpoints in her many writings without being hemmed in by any one critical ideology.  Jussim was the award-winning author of Slave to Beauty and the pioneering Visual Communication and the Graphic Arts, which charted new ground in the investigation of the meaning of images. 

Matt Wolf returns to Joe Brainard's iconic poem I Remember (1970) in this videowork. His archival montage combines audio recordings of Brainard reading from the poem, as well as an interview with his lifelong friend and collaborator, the poet Ron Padgett. The result is an inventive biography of Joe Brainard, and an elliptical dialog about friendship, nostalgia, and the strange wonders of memory.

A selection of Love Tapes — a collection of video recordings of 2,500 people from diverse backgrounds who share their personal feelings about love.

Cycles of 3's and 7's is a performance in which the harmonic intervals that would ordinarily be performed by a musical instrument are represented through the computation of their arithmetic relationships or frequency ratios.

The Erosions series develop the concepts of oxidation, wear and entropy from an audiovisual and cinematographic perspective.

Derived from Ernie Gehr's Serene Velocity, Lossless #4 is the result of a digital file's debugging routine that reveals vectors describing apparent movement in the frame.

Is the left simply a mirror of the right or vice versa?

This title is also available on Sympathetic Vibrations: The Videoworks of Paul Kos.

In this well-known early tape, Jonas manipulates the grammar of the camera to create the sense of a grossly disturbed physical space.

This tape addresses spiritual closure.

The temperature in your eyes will rise when you contract ‘FEVER DREAMS’ and experience the haunted mayhem contained therein.

After a failed attempt to melt down ballistic missiles into bells and site them in the city they had once targeted, 100 homing pigeons were used as metaphors, each carrying a small bell and capsule containing a Soviet or US flag.

Broadcasters across Ireland and Britain have entered into a blackout strike. The workers are transmitting a programme bringing censored voices back onto the airwaves.

Our Non-Understanding of Everything is a series of 16 videos that explore how the structures of architecture, semiconductors, and circuits become forms of expression refl

Six powerful native women gather up to celebrate a new beginning and the end of the world as we know it.

I was fourteen when I put on my first wig. It was, I believe, my sister’s idea. So she and my mother and I went – I forget where…Simmons and Co.? – some elegantish salon with gold lame drapes where they did not do such splendid work.

West coast artists, Mike Mandel (b.1950) and Larry Sultan (1946-2009) became artistic collaborators in 1972 while both enrolled in the San Francisco Art Institute’s MFA program.

Naked shows a colony of naked mole rats living in a laboratory. This rare and highly socialized species demonstrates modes of behavior that in uncanny ways seem human-like.

"The films of John Smith conduct a serious investigation into the combination of sound and image, but with a sense of humour that reaches out beyond the traditional avant-garde audience.

Employing the 'case studies' of Helen Keller, Genie the 'wild child' and Angel at My Table author Janet Frame, Goss's extraordinary video contemplates the struggle to be heard, to break free from the prison of the incommunicable self.

In the spell of one of the most exquisite pop songs I know, with the most rudimentary of animation skills, I sought to produce a smooth and rapid transition from innocuous kindergarten silliness to faux-Lynchian horror.

"A cinematic doppelganger without precedent, Elisabeth Subrin’s Shulie

Actor Richard Marcus speaks directly and intimately to the viewer, relating a tale of personal loss, and then changing the subject to baseball. The video is about amateur vs. professional, personal vs. public space, and loyalty and self-confidence.

Rare footage of a September 1970 rally honoring the late Fred Hampton, Deputy Chairman of the Illinois chapter of the Black Panther Party. One of the speakers leads the audience in a call and response.

The second in a series of cross-cultural symposia organized by Lucy Lippard, the four artists interviewed here—Jolene Rickard, Robbie McCauley, Judy Baca, and May Sun—discuss their work and its cultural contexts. Moderated by Lucy Lippard.

Forming a loose trilogy with Rankus’s two previous works (Naked Doom and She Heard Voices), Nerve Language furthers his visual investigation into the ambiguous mingling of inner and outer worlds.

Following the premise that water will always find its level, the term Communicating Vessels describes the way liquid moves between conjoined containers: gravity and pressure conspire to keep the surfaces aligned, pulling the shared liquid back and forth

American painter, Robert Ryman (b. 1930) is associated wth the movements of monochrome painting, minimalism and conceptual art.  The artist first moved to New York City from Nashville with the intention of becoming a jazz musician.

Klaus Nomi (born Klaus Sperber) was an underground superstar in the East Village arts scene in the 1970s and early 1980s.

Hurricane Katrina and the ensuing aftermath destroyed Noel's community and home. He is rebuilding, and as he rebuilds, he evokes the past through the enlistment of his personal archives.

“To master the one-minute time span requires considerable discipline, and few pieces, if any, had been shaped as genuine miniatures—most having the appearance of being extracts from larger works.

The fragment contains within it an implied reference to something that was once whole. It suggests damage and violence, time and distance.

talkin' 'bout droppin' out examines the multiple reasons why 40% of students in New York, Boston, and Chicago drop out of high school each year.

Sahara Chronicle encompasses an undefined number of short videos documenting the present sub-Saharan exodus towards Europe.

Acconci sits with a man and a woman before a microphone. The man and the woman read from two different texts (novels by Mickey Spillane and Raymond Chandler), and Acconci repeats everything the man says.