Consciousness is the realm where unsaid words are rendered in colors and form.

A winter chill sets in making the furry residents of various dwelling places a center of affection and reflection. The images conjured up are steeped in a twilight worthy of polar pinpoints in the grip of glaciated gloom.

Smith’s gentle, recusant comedy is a critique of masculine domination, focusing on the myth of manifest destiny.

Trans filmmaker Jules Rosskam's against a trans narrative is a provocative and personal experimental documentary investigating dominant constructions of trans-masculine identity, gender, and the nature of community.

A video documenting Rara Avis, a telepresence artwork in which participants interact with birds in the gallery space – locally and remotely – from the point of view of a telerobotic macaw located in a large aviary.

Over a montage of family photographs, Freed’s narration questions the consistency of memory and self over time, with Freed displaying a quizzical and sometimes hostile relation to her past.

Tortillas are an ancestral and sacred food, our transmuted corn. The circular nourishment that represents the luminous and colorful side of the moon on which our life is nourished.

This tape includes footage of one of the first broadcasts of Lanesville TV, as it appears on the television set of Lanesville local, Todd Benjamin, and a television set installed in a public bar.

This arresting early work conveys a tension that emanates from what Tanaka posits as life's basic dualities: male/female, past/present, known/unknown.

Soliloquy is from Martine Syms’ Kita’s World series. In the series, Kita enacts the performances of everyday life in a hyper-digitized world.

"How can the distinction between "man" and "machine" still be made given today's technology? In modern weapons technology the categories are on the move: intelligence is no longer limited to humans.

Immaterial Terrain is a film made by Emily Richardson along a seven-mile stretch of the UK coast between Sizewell nuclear power station and the mythic drowned city of Dunwich.

Spanish artist Jaume Plensa (b. 1955) creates sculptures and installations that intend to unify individuals through their relationship to memory, the body, and spirituality.

A short recruitment video for the public-secret society ‘New Red Order’, which simultaneously satirizes and sincerely engages with solidarity and the desire for Indigenous epistemologies.

New to the 2 Spirit lifestyle? `Want to talk to someone in the Spirit and the Flesh instead of reading The Spirit and the Flesh? We have just the service for you!

Turistas deals with the letdown of a world that is pre-mediated and post-digested—a video travelling guide that updates the 19th century artist's Grand Tour and downgrades it to 21st century not-so-Grand status.

Robert Heineken (1931-2006) used technically sophisticated photographic methods to mingle erotic images with visuals from TV and advertising.

Utilizing a mix of documentary and improvisational styles, the portraits featured in these three videos highlight the often forgotten, the marginal, those on the edge of society.

The third installment in the Action Series. Two characters engage Ann Hamilton's Headlands kitchen-space and create temporal resonances. To survive they must break the fast (a midnight snack) and service the meal.

Eiko Otake’s I Invited Myself is a multi-volume installation which features choreography of place, movements of both performer and viewers, along with projections of selected video and film works created by Eiko over the last 40 years

Footage from a performance produced at Forum en Scene in Middleburg, Holland of the players continually enacting the same tasks. Nothing To Lose opens with a young, androgynous sailor standing between two buildings, while the song Nothing To Lo

Sections 31-60 of an incomplete extended poem describing the artist's connection to the radical black tradition. The completed poem will be formed of 180 sections.

Part of the paraconsistent sequence series.

When everyone has forgotten the romantic refrains of the Internationale sung in different languages, Pablito, a blue front Amazon parrot, capable of living to 100 years old, will remember.

A short animation commissioned for Peter Burr’s touring media project Special Effect connecting Tarkovsky’s Stalker to its original text Roadside Picnic by the Strugatski Brothe

An ode to the memories of El Aliso, the sycamore tree that once stood at the center of Yaangna, the Indigenous Gabrieleno village that Los Angeles grew out from.

"Superimposing the stories of two women—the filmmaker’s late grandmother and the amateur filmmaker Joan Thurber Baldwin—Home When You Return explores the psychogeographies of mourning through a variety of

Jessica Bardsley is an artist-scholar working across film, writing, and studio art.

This is the new choreography of devotion, via the vlog of southern nightmares. This is the light that never goes out. This is the line describing your mom.

Our Non-Understanding of Everything is a series of 16 videos that explore how the structures of architecture, semiconductors, and circuits become forms of expression refl

Born in 1987, Ibrahim Mahama is an artist and author who creates monumental installations out of materials originating from Ghana, Mahama's home.

"Conspiracy Of Lies speaks of the alienation of minorities, of consumer culture, urban isolation and the fine balance between mental order and chaos.

Staged at the Haus der Kulturen der Welt, Berlin, Conakry is a sequence shot on 16mm film that travels through time, space and media to revisit one film reel from the Guinean archive.

The Look of Love: A Gothic Romance is an experimental video/audio collage in four acts. Performing in various guises, Suzie Silver embarks on a quest for the magnificence—and horror—of desire and pleasure.

This is our proposal: Make the rich pay for Covid-19.

A tribute to people everywhere who spread their glorious visions on canvases both large and small, beaded or lenticular, glossy or matt finished.

We hear a female voice with a subtle Jamaican accent speak about her life.

The season sweeps through in a blur of glitches, gulps and sweetened goo, as chimes wring out the old and ring in the new.

See a boy turn into a tiger. See the lad vomit colors of the rainbow. Watch him toss marbles onto wet bathroom tiles while holding up a green skull.

This European flavored melodrama depicts a fictional country of refined manners and debased desires that explode into chaos, sending its prodigal son into the pit of 20th Century technology.

Originally presented as a live performance piece using actors, multiple monitors, and music, Modern Times is a consolidation of seven short chapters in the life of a modern woman.

In this interview, Los Angeles-based artist and filmmaker Ryan Trecartin (b. 1981) discusses his personal interests and motivations, as well as the larger cultural and philosophical concerns that shape his videos and their reception. Trecartin is known for his construction of non-linear narratives, campy costumes, and excessively visceral characters and environments. One of the most compelling aspects of this interview is his insistence that language and its verbal articulation, rather than the visual, anchor his process. Trecartin identifies the influences of 1990s retro-rave culture, hip-hop videos, and editing software tools on his work. He notes that the accelerated disintegration of high and low culture has played a major part in his growth as an artist.

Sable Elyse Smith's How We Tell Stories to Children is a single channel video that combines found footage, music clips, and audio of the artist reading with video clips of her father recording himself from prison.

This Is Not Beirut is a personal project that examines the use and production of images and representations of Lebanon and Beirut, both in the West and in Lebanon itself.

Vanessa is based on the untimely death of Vanessa Jordan. A work about loss and Michelangelo.

"This compilation is a selection of six short films and videos, made in London over the period 1994 to 1999.

The inverted camera catches Nauman standing at the end of the room, slowly spinning around on one foot, first head down in one direction, then head up in the other direction.

Solstice is a music video illustrating the feelings inspired by this holiday song written by a young man I met in Atlanta, Georgia, Andy Ditzler.

After the shrieks and howls of Hymn of Reckoning, I felt that I needed to close out the Oto trilogy with a gentle flashback, to a 1980s sunset beach on a tropical island.

Washington, D.C.-based African-American artist Sylvia Snowden paints what she calls “figural or structural abstract expressionist” works.