Inspired by a riff on a popular joke “Everybody wanna be a black woman but nobody wanna be a black woman,” Notes On Gesture is a video comparing authentic and dramatic gestures.

Colors swirl and shift amid pulsating blobs of light as a voice from the past takes us on an antiquated journey to the future and beyond.

Radio reports analyze staged photographs we do not see, showing the victims of a mass murder committed by Mexican soldiers.

A woman sets out to photograph moments of intimacy.

E42 is a cinematic exploration of the area in Rome knows as the EUR, a modernist landscape that was originally designated by Mussolini as the the site of the World Fair of 1942 and as a celebration of the 20 year anniversary of Fascism.

In this interview, extreme performance artist and 1990s culture warrior Ron Athey (b.1961) discusses the genesis of his provocative performance style and the memories and desires that continue to motivate his practice. Athey describes how his particular approach to performance developed dually from his religious upbringing and exposure to devotional theater, as well as from his later interest in the DIY grandiosity of the Los Angeles punk scene.

Future From Inside is the last in the trilogy begun in 2016, by Dani and Sheilah ReStack (also including Strangely Ordinary this Devotion and

"Ad Vice consists of a succession of colored projection surfaces with segments of text from the worlds of advertising, sport and popular culture.  These projection surfaces in turn alternate with images of a rock band whose music continuo

Gregg Bordowitz is a writer, AIDS activist, and film and videomaker.

This video is an unabashed fan letter to poet Eileen Myles. As in Laurie, my desire was to romanticize the poet, but not through her writing so much as through her reputation as the natural born child of the New York School and the Beats.

In Precious Products we are subtly reminded of this country’s obsession with consumerism and narcissism.

As a verite documentation of the May 1, 1971 demonstration against the Vietnam War staged in Washington, D.C., Mayday Realtime presents a largely unedited flow of events from the point of view of participants on the street.

Mike Builds a Shelter is a performance comedy with apocalyptic overtones, a narrative extension of Smith's installation Government Approved Home Fallout Shelter/Snack Bar.

Chantal Akerman (1950-2015) gained international recognition with her three-and-a-half hour masterpiece, Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (1975), which portrays a housewife’s dull existence and eventual violent action. She has continued to be one of Europe’s most innovative filmmakers with more than forty film and television projects to her credit. Akerman’s work is minimalist, structuralist, and feminist. Major themes in her films include women at work and at home; women’s relationships to men, other women, and children; food, love, sex, romance, art, and storytelling. In this interview from 1976 Akerman discusses her early films, and the development of her particular vision.

Magenheimer’s video explores the bounds of narrative and the illusion of received wisdom in the seven minutes and twenty-two seconds it takes to rob a house.

The seventh in a series of cross-cultural symposia organized by Lucy Lippard, the four artists interviewed here–visual anthropologist Wendi Starr-Brown, Hapa video and performance artist Kip Fulbeck, Japanese-American artist Dorothy Imagire, Chicana mix

Comalli is the ancestral tool to cook our sacred food, our corn and tortillas. The circular tool that represents the dark side of the moon on which our earthly food burns. The cosmic dance of food and fire that nourishes our bodies.

As profecias da Orixá Oxum (The Prophecies of the Waterfall Spirit Oxum) was filmed at Iguaçu Falls, Brazil/Argentina, and is intended for viewing in Virtual Reality.

This early Videofreex production exemplifies the type of imaginative approach that the collective adopted when exploring the medium of video, and how, in many ways, this balance of play and experimentation defined and unified the group's work from the v

Since the 1970s Mary Kelly (b.1941) has worked at the fore of feminist art and theory. She has continued to address issues and methods of activist politics, psychoanalysis, political science, literature, and the history of women and gender.

Home Exercises is a short dancefilm and hybrid documentary investigating the gestural habits and choreographies of aging individuals in their homes.

In Bataille, fragments from the Akira Kurosawa’s film Rashomon are subject to a mirror effect. A scene in which two samurai fight each other becomes a cosmic field of monsters where horror and pain evoke beauty and joy.

By using clips of evil queens/witches this video plays off the sadomasochistic lesboerotic subtexts commonly found in children's entertainment. A helpless maiden is tiring of her consensual s/m relationship with her lover, and "evil" queen.

Skip Blumberg of the Videofreex conducts an interview with Charles “Cappy” Pinderhughes, the Lieutenant of Information of the New Haven branch of the Black Panther Party.

George Kuchar just received a tape of himself on the Dog and His Friends from the Dog House television show, but he must first track down a VHS player to watch it.

In his New York City landscape, Cohen finds inspiration in disturbance. Looking to life for rhythm and to architecture for state of mind, he locates simple mysteries.

Lee Krasner (1908-1984) was born in New York and attended Cooper Union, the National Academy of Design, and the Hofmann School to study painting.

I Wanted You shows a woman who is crawling over the floor. She is wearing only tights and a pair of red shoes with high heels.

This is the fourth work of Eiko's 2020 Wesleyan Virtual Creative Residency and a collaboration with William Johnston.

Eerily drifting through soft fades, superimposed images, close-ups, and visual feedback, this tape follows less a narrative structure and more a stringing together of seemingly random activities, set against two very different soundtracks.

Part of the paraconsistent sequence series.

The annual holiday video is off and swinging with this foray into festive chatter and explosive fireworks. Sweet treats are served up along with ice cream and jungle jingles befitting this season of goodwill toward man and beast.

Shot in the northeast United States landscape, Willie and Brewsie reflects on the contemporary resonances of the last novella written by Gertrude Stein in 1946 entitled Brewsie and Willie.

Originally commissioned by the Harvard Art Museums in response to the life and work of David Wojnarowicz, Survivor’s Remorse looks at how both art and bodies are maintained and the socio-economic influences that create a chasm between the value

Phyllis Bramson (b.1941) is a Chicago painter whose post-imagist style emphasizes content and the deeply personal.

The music of John Bender punctuates a flow of processed images.

One of several videos the artist made with her brother while still in graduate school at the University of Illinois at Chicago. Two Dogs and a Ball is a cover of William Wegman’s piece of the same title from the late 60’s.

"I made this video after assisting at a conference where the artists acted like flies in a barnyard. They gathered tropical fruits to make it less disagreeable for themselves."

—Ximena Cuevas

EMR has created a sigil, a magic sex symbol abstracted from the words TRUST ME (NOT) TO HURT YOU that is spread across rituals of the beast.

A video documenting Rara Avis, a telepresence artwork in which participants interact with birds in the gallery space – locally and remotely – from the point of view of a telerobotic macaw located in a large aviary.

A documentary video about the B.I.T.

This is a gaze of the body and a notion of spectator that the 90´s decade constructed, this is the audiovisual legacy of the 90's for our actual audiovisual control world.

Private Parts is a document of a police raid on an alleged pornographic photography exhibition organized by Rhode Island School of Design students and hung in the Electron Movers* gallery at 128 North Main Street in Prov

The secret history of hobo and railworker graffiti.

This tape includes footage of one of the first broadcasts of Lanesville TV, as it appears on the television set of Lanesville local, Todd Benjamin, and a television set installed in a public bar.

Joan Fontcuberta was born in Barcelona in 1955. His work has been widely exhibited internationally. Fontcuberta uses photography as a conceptual medium, often testing the limits of the image’s credibility.

Soliloquy is from Martine Syms’ Kita’s World series. In the series, Kita enacts the performances of everyday life in a hyper-digitized world.

The HalfLifers exhume cinema’s favorite incarnation of mindless, decaying mortality, the Zombie, in the hopes of breathing new life into this misunderstood figure.

3 Church Walk is a film made with writer Jonathan P. Watts and sound composer Simon Limbrick about the empty and neglected Suffolk house of modernist architect H. T. ‘Jim’ Cadbury-Brown.

"Real time digital buffer recording, light bulb, panning camera motor and turntable. Light Bulb, the title says it almost all. Real time recording events.