Incense Sweaters & Ice is a new feature film inspired by the idea that anything one does while being watched is a performance. The film follows three protagonists — Mrs.

Nobody counts the hours and nobody cares how the years are piling up. Souls begin and end. Then comes the night. A snow landscape of souls.

An experimental video about immigration.

Betty Parsons (1900-1982) was an influential art dealer in mid to late 20th century New York.

“[This tape] gives a clear picture of the consistency of Jonas’s concerns. The performance was based upon the merging of two fairy tales — The Frog Prince told backward and The Boy Who Went Out To Learn Fear told forward.

A portrait of Catania, Sicily. Includes the ocean at 5 a.m., the fish market, the distributor of pornographic films, the woodworker, the elephant statue, housing projects, and a young girl in an orange sweater.

In astronomical terminology ‘redshift’ is a term used in calculating the age of stars by measuring their distance from the Earth.

Forbidden to Wander chronicles the experiences of a 25-year-old Arab American woman traveling on her own in the occupied territories of the West Bank and Gaza Strip during the summer of 2002.

"An electronic synthetic color video, based on a memory of Larry Gottheim's film Blues.  Natural and electronic real time events, new American electronic cinema.

Located on the Lofoten Islands in Northern Norway, Acoustic Ocean sets out to explore the sonic ecology of marine life.

Deaf Dogs Can Hear is an autobiographical work that traces the tragic yet humourous episodes of the artist as a young girl, and her pet chihuahua.

An intimate interview with filmmaker, videomaker, film critic, poet, lecturer, and curator Jonas Mekas.

El Livahpla (Alphaville spelled backwards) is about the ways in which we "normals" are encapsulated in architecture and technology.

Magic for Beginners examines the mythologies found in fan culture, from longing to obsession to psychic connections.

The Trick Pony Trilogy is a series of parodic instructional videos hosted by the artist and a talking mechanical hobbyhorse.

Between 1892 and 1927, almost 16 million people came to Ellis Island attempting to immigrate to the United States.

How I Love You is an exploration of sexuality among gay men in Lebanon.

An Unangam Tunuu elder describes cliffs and summits, drifting birds, and deserted shores. A group of students and teachers play and invent games revitalizing their language. A visitor wanders in a quixotic chronicling of earthly and supernal terrain.

Part of the paraconsistent sequence series.

Part of a trilogy known as the Video Wallpaper Series in which George uses his new audio/video digital mixer to create a range of impressions of people and places.

Prestidigitation before the age of the pixel. Very lively stop motion and open shutter piece, shot on Super 8, with all effects done in camera – but transferred to video for ease of viewing.

In this interview, Basma Alsharif (b.1983) examines th

The fifth video of the installation Touch Parade, which as a whole explores “plastic love” or fetish culture and the assimilation of marginalized sexuality on th

Part of the Long Beach Museum of Art’s Collectors of the Seventies series, this tape enters the home and art collection of Dorothy and Herbert Vogel.

In Bad Grrrls, Glennda and Fonda LaBruce attend a Riot Grrrl conference on New York’s Lower East Side. At the conference, they conduct interviews with punk women, performers and artists, including Penny Arcade and Sadie Benning.

Take My Picture? is a comparison of two street characters filmed in downtown Providence, Rhode Island.

The soundtrack begins with the artist stating the conditions: “An artist may construct a work and/or a work may be fabricated and/or a work need not be built.

The innocence of creating a mirror, only to repeatedly crush it underfoot.

This film is the result of an intimate time spent between the filmmaker, who lives today in Belgium, and his father who is a former political prisoner. It looks at the complex political system of Egypt under Nasser.

On June 23rd, 2016 Britain voted to leave the European Union. Who Are We? is a re-working of material from a BBC television debate transmitted a few weeks earlier.

The Erosions series develop the concepts of oxidation, wear and entropy from an audiovisual and cinematographic perspective.

A significant amount of the hand-drawn animation seen on television today is cartooned in sweatshop-like animation factories in Korea, China, and the Philippines.

This classical animation explores personal memory, associations and atmosphere.

"I remember from the other room I could hear you violently buttering bread. I secretly hoped that I could be your next victim."

Though difficult at times to understand what is happening due to audio damage, this tape provides rich historical documentation of a protest on Wall Street in May of 1971.

A segment produced for radical early video collective Videofreex’s unlicensed broadcast television station, Lanesville TV, a weekly broadcast that was one of the first American pirate stations of its type.

John Cage’s work has had an immeasurable influence on 20th Century music and art, and his formal and technological innovations were tied to his desire to push the boundaries of the art world.

This archival film remixes the systemic violence and power throughout the 1984 National Day Parade, the 1989 Tiananmen Square Protests, and the 2014 Umbrella Movement. 

The four‐part cycle Parallel deals with the image genre of computer animation. The series focuses on the construction, visual landscape and inherent rules of computer-animated worlds.

A childhood experience is projected on a shadowy wall of a former movie theatre. A racist cinematic trauma passed between friends and family is remembered among the rustling of leaves and reflections of trees on an iPad screen.

Performance artist/sculptor Ana Mendieta used the raw materials of nature: water, mud, fire, rock, and grass.

“It is curious that in the most important periods of one’s life, one never keeps a diary. There are some things that even a habitual diary-keeper shrinks from putting down in words—at the time, at least.

This film is about a five-day seminar designed to teach executives to "sell themselves" better.

Harun Farocki utilizes a vast collection of image sequences from laboratories, archives and production facilities to explore modern weapons technology.

As with his predecessor Ernie Kovaks, everything is fair game for ridicule in Dibble’s gentle and eccentric humor.

Perceptual concerns predominate in my videoworks.

Poet Leticia Plotkin's final poem, intended to praise the ancient deities who control one's fate, turns instead into a bitter damnation scribbled in venom.

Nine Hamlet RGB engages a simple algorithm to destabilize the timing of the red, green and blue frame sequential display system while incorporating fragmented, appropriated “to be or not to be” excerpts from nine Hamlet films.

Actor Richard Marcus speaks directly and intimately to the viewer, relating a tale of personal loss, and then changing the subject to baseball. The video is about amateur vs. professional, personal vs. public space, and loyalty and self-confidence.

In this interview painter Robert Ryman (b. 1930) describes his artistic influences, recounts his work process, and assesses the use and meaning of painting, both in the 1960s and the 1990s.

Nine individuals visit the Santa Monica Mall and share their thoughts and feelings about love with Wendy Clarke and her camera. Love Tapes: Santa Monica Mall is part of Clarke's ongoing project, Love Tapes.