Commissioned for the Ocularis curated Free to Be…You and Me Invitational compilation, which premiered at Brooklyn’s Galapagos Art Space and also screened at Chicago Filmmakers, where Mercedes Landazuri and I performed a banjo and synth renditio

The strings of fate manipulate the living and the dead against a landscape of water vapor and watercolors which make more palatable the unacceptable and the undigestable.

Part of paraconsistent sequence series and the hauntology series.

As a "Post-Mexican” performance artist operating out of the US for over 20 years, one of my conceptual obsessions has been to constantly reposition myself within the hegemonic maps.

1+8 is a film about Turkey’s unique position between West and East and her relationship to her eight very distinct and diverse neighbors.

The four-part cycle Parallel deals with the image genre of computer animation. The series focuses on the construction, visual landscape and inherent rules of computer-animated worlds.

In May 2025, Wendy guest lectured for a class of international graduate students taught by filmmaker Irene Lusztig at the University of California in Santa Cruz.

Gathered together under the title Feral Domestic, these three videos – Strangely Ordinary This Devotion, Come Coyote and

A fragmented puzzle of a sinister narrative turned inside out and comprised of digital video, digital video animation, and Super-8, with model animation and human pixelation.

Community Action Center is a 69-minute sociosexual video by A.K. Burns and A.L. Steiner which incorporates the erotics of a community where the personal is not only political, but sexual.

“Nicky is seven.

Revolving around a movie mogul’s familial intrigues, Made In Hollywood tells the story of two artists selling out to make movies, and a simple country girl’s angelic rise to fame despite it all.

An experimental video about immigration.

In a city post-apocalypse, young men communicate only through smart devices. They make home out of urban debris. They can’t speak to each other, but are still able to dream.

“Criminality may present itself as a kind of saintly self-mastery, an absolute rejection of hypocrisy.”

—Angela Carter, The Sadeian Woman and the Ideology of Pornography (New York: Pantheon Books, 1978)

The sonic fabric of 2nd Person, [originally] a multi-channel video installation, is formed through an array of women’s voices orchestrated as parallel tracks in a musical composition.

This is sort of an Easter holiday affair as it has bunny images in it, plus the finale was shot on an Easter Sunday visit to a friend’s gallery.

Anhedonia doesn't play to the back of the church. It shoots directly to the point with poetry and images that evoke controversy in one mind set and passion in another. Depression and suicide are met head on with Cuthand's honesty.

"Inspired by Ralph Hocking's fish biting video.  Eighty-seven stones thrown, volumes shifting of water sound, a real time performance event. Holding the camera and throwing 87 stones into the frame. 1/2" reel to reel Sony portapack." 

An exploration into the potentials, practicalities, and pitfalls of ‘playing Indian’.

Part of The Savage Philosophy of Endless Acknowledgment suite. 

We are born into an already-constructed world. We each enter with new eyes into a culture that has already been shaped and structured based on the desires and power of others.

“Living in Los Angeles is like being on vacation, or in a coma. I don’t really like it, but it’s so pleasant I don’t want to leave. I’ve only had one idea since I’ve been here and that was to video a cake in the rain in MacArthur Park.

William T. Wiley (b. 1937) combines a variety of materials (found objects, wood, animal hides, rope, paint) with poetry, puns, hearsay, and legends to present a very complex and enigmatic personal vision.

Black Rain is sourced from images collected by the twin satellite, solar mission, STEREO.

This compilation contains many of Teddy Dibble’s best comic vignettes. Everything is up for grabs in these visual and linguistic puns, including video dating, telephone operators, New Years Eve celebrations, fruit, and the theory of evolution.

753 McPherson Street employs both original and found footage to represent a very old, passionate, and sometimes lucrative business — a funeral home, in Mansfield, Ohio.

Set in the industrial suburbs of Beirut, Majnounak (Crazy of You) explores male sexuality through interviews with three men who are asked to recount very openly the beginning, middle, and end of a sexual relationship they have experienced.

Jake Wells, a professional tattooist, DIY drone builder, FPV (First Person View) flight hobbyist, and possibly the world’s first RC (Remote Control) Christian Minister, shares some of his stories and ideas regarding the connection between religion, dron

A black-and-white drama that lays bare the earth-shattering events surrounding the rise and fall of certain members of the communal body in a California town ravaged by subterranean forces.

These are the ghosts of a haunted civilization, a culture of progress that hides the social and political horror behind the streets. These are the haunted figures in the Capitalocene era. A sinister dance of macabre abstraction.

Little Spirits is about a young girl who plays a trick on a friend, unaware or uninterested in the possible consequences.

Still Life gazes unflinchingly at the violence of war, observing the West Bank and Gaza Strip collapsed under Israeli occupation.

A minimal, suggestive narrative about a summer trip to the Jersey Shore, fictionalized by subtraction.

The images are derived from found footage of an 8th grade talent show and are combined with a list of gender-specific transformative sexual memories from the age of 4-18.

Take a trip into and out of the body to ponder Time’s endless depths where Earth spirits roam and inner Demons lurk, and find secrets that hide behind the "self".

"The world will devour you...."

A group of cops laugh and talk, while scanning the street for suspicious activity. An extreme close-up of a sensuously exposed neck; a soft pink fleshy ear turns to reveal an inquisitive hostile eye....

The video content—a live-feed image processing tape—shows intellectual discussion among SAIC Video Area students and faculty members.

Swamp Swamp and Wurmburth are each comprised of a series of tightly cropped shots of small, hand-made table-top sculptures or "sets".  Paint and many other materials that behave like paint (i.e.

Our Non-Understanding of Everything is a series of videos that explore how the structures of architecture, semiconductors, and circuits become forms of expression reflecting hierarchies, cognitive processes, and relationships to the natural env

Dorothy doesn't reach her dream of the Emerald City. Rather, she will have already been over the rainbow by the time she arrives at the worst corner in Kansas.

Two video letters made to communicate the artists longing for her friends, and produced with the same images from her daily life in Israel.

A significant amount of the hand-drawn animation seen on television today is cartooned in sweatshop-like animation factories in Korea, China, and the Philippines.

A search for a non-existent image, a desire to create an image where there is none,“ leads to Rea Tajiri’s composition on recorded history and non-recorded memory.

In this humorous short, Astrid Hadad, dressed in traditional folkloric costumes and religious garments, sings and performs to a Chilean love ballad before a painterly background of fantastic landscapes.

In November of 2004, I was invited to spend a couple of weeks in Cinque Terre (a string of towns along the Northern Mediterranean Italian coast).

Zachte Berm (from Weiner’s film Plowman’s Lunch) sits with her back to the camera in front of a large mirror—her face, covered with shaving cream, is seen in its reflection.

Transit journeys through the East End of London, quietly observing the shifting architectural and social landscape.

"Scenes from meetings within a company which advises corporations how to design their offices -- and the work done there. The film shows that words are not just tools, they have become an object of speculation." 

-- Harun Farocki

At Breder's direction in the studio, the performer releases a body of light that casts a transient shadow. Following the tantric chakra stations, a match is lifted from root to crown.

“I am a mannish / Muff-diving / Size queen / With bad attitude / An arse-licking / Psychofag / Molesting the flies of privacy / Balling lesbian boys / A perverted heterodemon / Crossing purpose with death / I am a cock-sucking / Straight-acting / Lesbia