Peggy And Fred In Hell is one of the strangest cinematic artifacts of the last 20 years, revealing the abuses of history and innocence in the face of catastrophe, as it chronicles two small children journeying through a post-apocalyptic landsca
In this episode of The Glennda and Brenda Show, Glennda and Brenda take over a public bus to protest discrimination and violence against queer people who are "out and outrageous".
"John Smith uses humour to repeatedly subvert and frustrate potentially threatening content in an economically constructed tale of the narrator’s descent into paranoia and, ultimately, oblivion, as he is pursued, haunted, and finally destroyed by a myst
Inspired by the analogy between weaving (vertical warp threads traversed by horizontal weft threads) and the construction of the television image (vertical and horizontal scans of an electron gun), Stephen Beck built the Video Weaver in 1974, and produc
Andro/lesbian body-doubles wrestle each other in an outer-space fantasy.
Performers: A.K. Burns & K8 Hardy
Audio: Matt Volla
This is a journey to El Paso, Texas, where the Super-8 filmmaker Willie Varella and I have a dialogue amid domestic routines, motel accommodations, and emotional baggage, indicative of life on the road.
For the Least is a short documentary about American Catholics who marched to Guantanomo to bring spiritual comfort to the prisoners and an end to the torture they endure.
The Early Sun, Red As A Hunter's Moon follows this temporal tradition in an interpolation of Kiowa lore in excerpts from N.
The Sea is History, made in the Dominican Republic and Haiti, is a free adaptation of the poem by Derek Walco
"In The Very Very End, Barber points to his medium's plastic possibility by somehow traveling into the future and the past, n
This turbulent and colorful drama about the proud and the profane was made with an international group of students at the school where I've been teaching for many decades: the San Francisco Art Institute. Join this attractive assortment of talente
A very chatty array of people along with still photos and a loose-tongued cab driver, make this a leisurely stroll through my social life of several years ago.
Using selected details of TV’s Hollywood Squares, Birnbaum constructs an analysis of the coded gestures and “looks” of the actors, including Eileen Brennen and Melissa Gilbert.
Two potential saints struggle against the Moon’s pull on their libidos.
Originally part of a multi-media installation at the Everhart Museum in Scranton, Pennsylvania, King Anthracite documents the lives, work, and early deaths of Lithuanian immigrants (including Kybartas’ ancestors) who mined the Pennsylvania coal
In a broken near future, a band of listless vagabonds ambles across a war-torn coastal territory, supervised and sorted by a group of idle soldiers.
An 11-minute tape focused on greenish night-vision textures and certain high-camp performance values, organized around a dysfunctional family "celebrating" several birthdays.
Developed as a body of work deployed across New Red Order’s unique live ‘TedTalk on Acid’ style event format, this series of videos unpacks efforts to 'decolonize' institutions that are embodied in ritual acts of acknowledging Indigenous pr
In this piece Dani Leventhal recounts to camera her experiences of living and working in Israel, the fabled land of milk and honey of childhood lessons.
In this surreal experimental narrative, there’s something wrong with a patch of sky. As it travels over Southern England, objects cast up into it come down hugely enlarged, bloated.
This video considers how Lebanese photographer Hashem el Madani captured the everyday movement of crowds, friends and family with his super 8 camera. The rushes used in the five movements of this
"Between the Lines is an exploration of what Muntadas terms the 'informational limits' of television—the selections, programs, decisions, edits, time schedules, image fabrications and so on—specifically addressing the means by which 'facts' in
Using the first color video camera, the artist questions where the devil might be hiding, and then takes a nighttime swim.
...just what it says, it's about the street.
Among the Xavante of Mato Grosso, the Wai’a is an important stage in a male initiation ritual that happens once every 15 years. Wai’a: The Secret of Men documents the ceremonies that prepare young men for contact with supernatural forces.
An All-American boy and girl are swept into an international intrigue of demonic content as items cursed with the stench of Satan make their way to a museum dedicated to the spiritual overthrow of family values.
Return of the Black Tower was conceived as a 'response' film to John Smith's 1987 classic short experimental film, The Black Tower.
A figure crosses, runs and flees through the cinematic space, there is no way out. The imminent catastrophe looms. With images by Dovjento and music by Stravinsky. Part of paraconsistent sequence series and the hauntology series.
"Generics" is the name applied to no-name foods and household items that began appearing in grocery stores during the recession of the 1970s. When novels were added to the collection of genre products, entitled "Western," "Romance," "Adventu
“The idea was to address the cultural invisibility of older women through art and through action,” the voice-over explains as this video begins.
Steve Reinke has long been lauded for his irreverent, philosophical, and often acerbic works, which typically adopt the form of personal essays to wryly bend and reread wide-ranging topics, from pop cu
In the second installment of The Mexican Tapes, Hock begins to participate more in the family life of La Colonia, attending baptisms and helping shop for new cars.
Another holiday season rolls into the Northern California coast along with the breakers that roil and foam in mimicry of a "white Christmas." Men, women and felines frolic and fret amid the tinkle of holiday revelers as the short days fade into a melan
Letters in the Dark was originally shown as a two-channel video installation, accompanied by photographs at the Benrubi Gallery, New York, in 2016. In 2024, Hall decided to make it available as a single-channel work.
This horror picture is a sequel to THE KISS OF FRANKENSTEIN (a one act play I wrote a few years ago which was performed by my graduate students at the San Francisco Art Institute).
THE GREAT CURDLING is a Folk-Sci-Fi film. It’s a darkly comic musical exploring the feeling that collective reality is at tipping point.
Commissioned by Boston Dance Umbrella, this work was created during a month-long residency in Boston. Clayton Campbell painted a mythological scene of the river that a dying person crosses to reach the world of the dead.
A chance encounter with a sober student reveals the mystery of a woodland wonder that has left a mark on his youthful psyche just as it leaves huge footprints on the forest floor.
In this video, drawing from Bob Dylan's song Just Like Tom Thumb's Blues, layers of experiences circling loss and longing are overlaid between images of landscapes and movement.
This piece purports to be about the discontinuation of the much-loved format, Kodachrome, and with it the further endangerment of super-8 film. But it has other agendas of reclamation and personal reckoning that are its true subject matter.
The Sweetwater Rattlesnake Roundup is a tape documenting the 1980 roundup, an event held each March in Sweetwater, Texas.
In a fragrant garden warmed by the sun, a young man inhales the atoms of the world and exhales thoughts that probe the very essence of his existence.
"Shaharazad is trapped at the Baghdad Hilton, so she conjures up an ironic story of the great King Bush's attempt at 'protecting one dictatorship from the attacks
The Island Weights is a two-channel synchronized video installation. A composite of the two channels presented side by side in one video is available from Video Data Bank for educational use only.
"In this antiqued period piece, the morbid star, Lupe Velez, travels to Hollywood, Guanajuato, and Barcelona, seeking her own death."
—Berkeley Art Museum, Pacific Film Archives, April 1998
A quickie side trip to the Virginia Film Festival highlights some nice, fall foliage and a few fleeting faces as the camera probes a sculptural artifact or two before abruptly shutting down.
Path to the Stars follows the journey of a heroine confronted by her own shadow, by different temporalities and micro-narratives.
My teaching assistant during the spring semester (Marc Rokoff) at the San Francisco Art Institute began shooting a documentary of me and the students making our sci-fi drama, The Planet of the Vamps.
During a video workshop, the Ikpeng community decides to act out the myth of the origin of the tattooing ceremony. The mythical hero, Maragareum, dreams about the collective death of the villagers of his friend’s Eptxum’s village.
A video I made with students at the California College of Arts and Crafts.