Silver directs and performs all the roles in this raucous and hilarious music video rendition of Lynyrd Skynyrd’s "Freebird", the infamous Southern rock anthem for an entire generation of 1970s male youth.

In Music on Triggering Surfaces, Bode constructs an interface between audio and video systems.

In this experimental travelogue, efforts to sound human and look natural instead become artifical.

Radio reports analyze staged photographs we do not see, showing the victims of a mass murder committed by Mexican soldiers.

Distracted Blueberry follows a performance art band through a series of poetic encounters. Masculine tropes are undone to form a relationship between male sexuality and the human death drive.

A sparing and minimal travelogue of Istanbul. A foreigner meditates on the unraveling of a relationship while moving from hotel room to hotel room.

In Excerpts from Behold Goliath, Tom Kalin presents four experimental short films inspired by American writer Alfred Chester (1928-71), who in 1964 published a collection of short stories of the same name.

Toxic pigments of lust stain an artist’s brush as he struggles against lurid colors on the canvas of his life, – a "life" in brick jungles wit sordid, dark alleys on neon-lit avenues where he got lost

This title documents events at the opening of the 1970 exhibition Vision and Televison.

Segalove comes out as the child of a movie star haven where messy lawns are reported to the police and designer labels are removed from hand-me-downs for the maids.

He is mute flesh that the stroking of fingers can bring to sing.

-- Mike Kuchar

Which celebrity do you most resemble? For artist Kip Fulbeck, this question starts a rollicking ride that is part autobiography, part family portrait, part pop-culture survey, and all Disney* all the time.

The rivers are in flood stage during a scenic tour of Tulsa; while in El Reno, Oklahoma, it's as dry as a two-week old peach cobbler.

Sahara Chronicle encompasses an undefined number of short videos documenting the present sub-Saharan exodus towards Europe.

"Image states / sound states.

The five videos featured here investigate video as a tool for storytelling and the construction of alternate identities.

Comalli is the ancestral tool to cook our sacred food, our corn and tortillas. The circular tool that represents the dark side of the moon on which our earthly food burns. The cosmic dance of food and fire that nourishes our bodies.

Ram Dass, born Richard Alpert, was a spiritual guru and crucial figure in the early research of psychedelics alongside Timothy Leary in the 1960s–70s. In the early 70s, he gave a lecture at the Art Institute of Chicago.

O.U.T. is a work documenting the emergence of computer games which train players to fight in cities among civilians, (Military Operations in Urban Terrain).

Horizontes incorporates scenes from a popular Cuban soap opera with running commentary in the form of a propagandistic advertising text.

This fictional docudrama—based in part on the careers of Anita Bryant, Phyllis Schlafly, and Marabel Morgan—covers the fictitious assassination of Clovis Kingsley, a powerful, pro-family, anti-feminist ideologue, and fictional author of The Power of

Anhedonia doesn't play to the back of the church. It shoots directly to the point with poetry and images that evoke controversy in one mind set and passion in another. Depression and suicide are met head on with Cuthand's honesty.

“The images mix fragments of the real and imaginary in a hermetic effort to express the [Breder's] quest for a visual text that is at once personal reflection and cultural criticism. ” - John Hanhardt, 1989

A series of three videotape fragments (Fuse, Timer, Slow Down) presented as visual commentaries on television ads, these pieces are critical responses to the visual speed, narrative style, and format used in the making and del

To the background of village celebrations a father questions his daughter about a suspected lover. She cleverly deflects him with her answers but the passions rise, the villagers take sides and what began as harmless banter becomes bitter and angry.

This observational documentary presents Venice as a city inundated with tourists as well as periodic bouts of high water. The tourists take pictures, and endure the flooded areas of Piazza San Marcos.

2@ is part of the Pop Manifestos series, a five-video project realized in collaboration with Cokes' former students Seth Price and Damian Kulash, and originally conceived as part of a series for the conceptual band SWIPE.

A camcorder diary and chronicle of public opinion in Moscow during a time of huge political, economic, and hence cultural, changes in the former Soviet Union.

Shot in December 1969, this video documents a live performance by the Incredible String Band at the Fillmore East, NYC.

"The life of objects intrigues me. Apparently inanimate, they adopt the souls, actions and lifestyles of their keepers. Here, a bed testifies to what goes on behind the closed door of a decent family's bedroom."

—Ximena Cuevas

A documentary presenting an overview of Eduardo Kac's trajectory, including interviews with the artist and with art critics Annick Bureaud, Christiane Paul, and Arlindo Machado.

Part of the paraconsistent sequence series.

Acconci again confronts both the viewer’s and his own expectations of his performance, saying, "I've waited for the perfect time, for the perfect piece, I'm tired of waiting...

A Prayer For Nettie dramatizes the death of an elderly woman who was Cumming’s photographic model from 1982 to 1993, presenting an improvised series of prayers and memorials for Nettie Harris by people who knew her, and some who did not.

We recently went to Guinea Bissau to research the guerrilla schools of the mangroves. Instead, we soon became ourselves the apprentices and the first lesson we had to learn was how to walk.

In this video, the artist tries to overcome the effects of distance, and reflects on geography represented in exile due to war, and on the psychological distance represented in each one’s approach to her womanhood.

[This] is my first attempt to construct a video piece using one set of generative intervals for both sound and color.

In 1998 I made a sculpture of a decapitated head. I featured it in a photo and video. I thought of the head as a character whose adventures would be documented.

"Four days spent in a studio working on a centerfold photo for Playboy magazine provided the subject matter for my film. The magazine itself deals with culture, cars, a certain lifestyle.

This surreal, free-form autobiography is concerned with childhood and adult rituals, and the longing for meaning and connection during the often wildly absurd events of early life.

One of my weather diary series out in Oklahoma. The tone is wistful, the surroundings wispy (with some puffs of pungency). The TV is on and the porcelain is smeared with some residue atrocity from a previous passion.

Water and oil form the undercurrents of all narrations as they activate profound changes in the planetary ecology. After the oil peak, ever dirtier, remote and deeper layers of fossil resources are being accessed.

A picture of the day-to-day life of Shomõtsi, an Ashaninka Indian living on the border of Brazil and Peru. Valdete, a teacher and one of the village video makers, highlights his hardheaded and witty uncle.

Like a couple of kids pawing through a costume trunk, filmmaker Emily Breer and performance artist Joe Gibbons delight in trying on the attitudes and artifacts of culture.

This is a gaze of the body and a notion of spectator that the 90´s decade constructed, this is the audiovisual legacy of the 90's for our actual audiovisual control world.

Our Non-Understanding of Everything is a series of 16 videos that explore how the structures of architecture, semiconductors, and circuits become forms of expression refl

In Home Tape Revised, Benglis took a portable tape recorder with her when she visited her family in Louisiana.

In this agit-pop double feature, Cokes celebrates civil disobedience and deconstructs race relations. Cokes inter-cuts political slogans and social facts with an array of footage and juxtaposes the images with pop, rock, and rap soundtracks.

3 Peonies is a brief, poetic 16mm film of a simple sculptural action.

A pro-domme gives her friend a freshly shaved head. In return she gets a buzz cut. A client gets to be a (bound) fly on the wall.