A trip to the Marin headlands at the Golden Gate of San Francisco Bay headlines this video diary. The viewer gets to eves and eye drop on various verbal and real time activities that are of a wet nature now and then.
Fifteen holopoems compiled under the collective title Holopoetry.
This video presents a history of alternative spaces in New York City during the late 1960s and early 1970s, focusing on two galleries that no longer exist.
We came into the world under the sign of Saturn, the star of the slowest revolution, the planet of detours and delays. Saturn pulls the word down into its vortex and turns the flow of events into rings, lines and particles. There we are all invisible.
Magic Thinking is a multi-platform film installation steeped in the current moment when climate catastrophe, the COVID pandemic, and the rise of fundamentalism combine to contribute to an apocalyptic aura.
On April 6th, 1974, this episode of the Videofreex’s production of Lanesville TV aired, including four segments: a choreographed piece by the Elaine Summers Dancers, a Vietnam tape titled “Where do you get your money?,” several phone conversati
46+ years after Debord wrote "...the heart of the unrealism of the real society...," a nine-year-old child is instructed to repeatedly recite thesis #6 from The Society of the Spectacle. The recitations are re-mixed at one-second intervals form
I was an Artist in Residence for three months on Five East, the ward for chronically ill adolescents at Children’s Hospital, Los Angeles. Five East is a series of video portraits.
A color-separation portrait of the Exarchia neighborhood of Athens, Greece, made during the Anti-Austerity protests in late 2011.
A portrait of the American artist Ray Johnson (1927-95), driving force behind the New York Correspondence School of the early 1960s.
I live in the Hudson Valley near the Hudson River. Historically, Muhheakunnuk, a river that runs both ways was a waterway for the colonization of North America.
Peggy and Fred, sole inhabitants of post-apocalyptic Earth, weather a prairie twister and scavenge for sense and sustenance amid the ruined devices of a ghosted culture.
American sculptor and land artist Robert Smithson made art as a meditation on transition and change.
Douglas Hollis (b.1948) was born in Ann Arbor, Michigan and continued to live there throughout the years of his college education at the University of Michigan. From an early age he had a deep interest in Native American culture.
A volume of illustrated horrors arrives to stimulate the chatter of those who behold its weighty extravagance.
Covert Action is a stunning melange of rapid-fire retro imagery accomplishing Child’s proclaimed goal to “disarm my movies.” “I wanted to examine the erotic behind the social, and remake those gestures into a dance that would confront their co
Between 1892 and 1927, almost 16 million people came to Ellis Island attempting to immigrate to the United States.
Paul D. Miller (b. 1970) is a conceptual artist, writer, and musician better known as DJ Spooky.
I once read a story about the Tibetan Buddhist Master, Chogyam Trungpa Rimpoche in a book by death-teacher, Steven Levine.
A son discreetly records fleeting moments in his parents’ suburban home. An intimate portrait of a stable life lived according to the rules of society.
These are the ghosts of a haunted civilization, a culture of progress that hides the social and political horror behind the Olympic Games. These are the haunted figures in the Capitalocene era. A sinister dance of macabre abstraction.
Through a process of degeneration of both sound and image, Just endows the iconic American flag with new context and implication.
Using Paper Tiger's unique style of direct address and deconstruction, teenagers from the Bronx ask questions and try to understand the persistence of racial violence in the 1990s.
Gravity Hill Newsreels: Occupy Wall Street comprises Jem Cohen’s twelve-part series as a continuous and complete compilation.
Broken up into "chapters," Phosphoresence features an array of abstractions created by manipulating television images. At times almost painterly, the resulting images are set to an ambient electronic soundtrack.
"Despite the didactic promise of its title, Carl Elsaesser’s new film will not teach you how to complete this obscure action.
From the outskirts of Santa Fe, New Mexico, to the innards of a castle of contraptions, this video explores the creative bric-a-brac of several entities who pioneered a wired frontier filled with fire wires and fire water. Join them as they schmoo
"Gregg Bordowitz’s 2017 performance lecture Only Idiots Smile features the artist on a stool in the New Museum’s top-floor sky room, riffing on the formation of his identity.
In 1964, Steina Vasulka (then Steinunn Bjarnadottir) married Woody Vasulka, a Czech engineer with a background in film.
Affected and/or Effected begins with a close-up of a girl resting her head on her hand, reading.
Making art and movies becomes the overall thrust of this foray into hives of humming wanna-bees being all that they can be thanks to the magic of chalk and cinema.
To keep a promise made to her dying mother, a young woman goes off in search of her father, a womanizer she has never met. Along the way, she soon learns that he is dead. But that doesn’t change her plans, she still intends to find him.
As a foulness shall ye know Them. Their hand is at your throats, yet ye see Them not; and Their habitation is even one with your guarded threshold. The wind gibbers with Their voices, and the earth mutters with Their consciousness.
A poem or brief poetic collage of 16mm home movie footage from Egypt in the 1950s along with elements of Capra's Lost Horizon soundtrack interwoven with recordings of a small and frustrated boy.
Rackstraw Downes’s “observation” paintings, executed on-site at ponds, intersections, and baseball parks, began as a mischievous response to the dogma of style and modernist criticism.
1933. Berlin. The last year of the Wiemar Republic. Through the lense of her personal "home movies", Leni Riefenstahl records a day in her life with a young Eva Braun.
George Kuchar experimented with in-camera editing effects more and more in his later career, and Snapshots is no exception.
Using highly-manipulated and over-processed images, Latham investigates the process of video as inherently fragmented. Weaving together various people’s impressions of the artist and her work, the work demonstrates important parallels between video, storytelling, and the formation of identity — all processes of active fabrication that blend “lies” and truth in the construction of a certain reality, history, or past. Labeling an image of herself talking as “her most recent explanation,” Latham addresses “the construction of her video personality” as an identity outside of herself.
Aroma of Enchantment is a video essay investigating the fascination Japanese teenagers have for the America of the 1950s and '60s, sporting bobby socks and hair soaked with Brylcreem.
Unable to locate the grave of Letine—leader of a 19th century acrobatic cycling troupe (and buried locally)—I went home and wondered.
And then I made this film.
A lavish home is visited, shutters click, bottoms are exposed, water splashes and a welcome wetness stains an area unquenched for so long. A jacuzzi bubbles to life in a bedroom community that floats to sleep on aqua-filled rubber.
There is a crudeness to How's Tricks, Benglis's first venture into narrative fiction. No attempt is made to hide the mechanics of making the tape.
Annette Michelson is a founding editor of the journal October and former professor of cinema studies at New York University. Before starting October, Michelson was the film critic for Artforum.
In Lossless #5, a water-ballet crafted by the famed Busby Berkley is compressed into an organic mitosis, within which we detect the spirit of a "buggy" Brakhage ghosting about the integrated circuit.
In 1991 Montano met a Hindu couple at Ananda Ashram, the meditation center she attends in upstate New York. Since then, the three have become friends. Mr. and Mrs.
Company Line is a film about one of the first predominately Black neighborhoods in Mansfield, Ohio.
Twelve church bells are rung daily for 30 days in a sculptural setting at the Capp Street Project in San Francisco. Ringers progress from practice sessions on beer bottles to a full-scale ring.
The Videofreex document a street intervention by Turkish artist Tosun Bayrak (b.1926). The performance was to become a notorious example of the element of "shock" in contemporary art. Within the work:
Explore the rituals inherent to life, evolution, decay, death, and rebirth. Part of Rituals series.
 
                                     
            