Acconci sits with a man and a woman before a microphone. The man and the woman read from two different texts (novels by Mickey Spillane and Raymond Chandler), and Acconci repeats everything the man says.

Europlex tracks distinct cross-border activities through the Spanish Moroccan borderlands and seeks to make these obscure paths visible.

Originally constructed using a Super 8 camera and a walkman, Manipulation/Dictation investigates processes of lesbian seduction, betrayal, and the expectation that both parties can still be friends later.

There are times when concurrent multiple realities of place demand at least a simple attempt to determine who in fact has and where is this place in the sun. Hearts and Helicopters occurs at that moment in the lives of four people.

Craig Owens (1950-1990) was a critic who wrote and lectured extensively on contemporary art. He showed particular interest in the issues of photography, postmodernism, feminism, and Marxist thought. A former associate editor for October and senior editor for Art in America, as well as professor of art history at Yale University and Barnard College, his writings were collected in Beyond Recognition: Representation, Power, and Culture (1994). Owens died of an AIDS-related illness in 1990.

Vice President Mike Pence eagerly plays cheerleader in chief for Donald Trump.

Lucy Lippard (b. 1937) earned degrees from Smith College and New York University before beginning her career as an art critic in 1962, when she began contributing to publications such as Art International and, later, Artforum.

Strap on your seat belts and get comfortable for a 7,000 mile drive. This documentary invites you to travel along with the Center for Land Use Interpretation as they find suggested photo spots across North America.

“The tape ultimately addresses all the big questions — death, origin and family, religion — as well as the small discomforts of the body, only to reverse their order of importance.”

Eiko Otake, with her collaborator Merian Soto, visited a friend Bonnie Brooks in her country house and had a long walk in the forest. There was a small island occupied by three deers.

Gibbons presents a Son of Sam-like relationship between a man and his dog in which the man takes the dog to task for the terrible things he has made him do. Shot in Pixelvision.

Rudy Burckhardt (1914-1999) was best known as a photographer and filmmaker.  He moved to New York from his native Basel in 1935 at age 21.

Part of the paraconsistent sequence series.

My contribution to the group exhibition 1d for Abroad at Tintype gallery: a perky 4 minute consideration (made up) of a whole lot of postcards.

(chatlandia) uses the public bathroom stall as format and metaphor for Internet relay chat lines (IRCs).

The colorized abstractions of Moog Images were created by feeding Moog synthesizer oscillators into the video inputs of a television monitor.

Touch Parade is a 5-channel HD video installation consisting of crush (9:22 min. loop,) squeeze-2-pop (5:49 min. loop,) wading (3:41 min. loop,) glove love (6:58 min.

"I just can't resist trying to empathize with animals and plants.  I think that in the process of attempting to learn what it's like to be an animal or plant, I learn more about what it means to be human."
--Sam Easterson

Exploring climate change, the destruction of nature, and industrial pollution, these four works by Paweł Wojtasik paint horrific yet meditative landscapes of global infrastructures including meat production, waste treatment, and laboratory experimentati

A provocative half-hour of guerrilla artists caught in the act on videotape, Undeniable Evidence is a public art extravaganza assembled by Igor Vamos and anonymous culture jammers.

Sharon Lockhart is a photographer and filmmaker. Her photographic and filmic works interrogate the inversion of the static image as cinematic and the manipulation of the moving image into a static/stop-motion frame.

The videopoem Reversed Mirror is a single-channel piece that presents a constant flow and transformation of images which oscillate and create ephemeral words, dissolving and emerging as new words.

In 1975, the Feminist Studio Workshop (I was a member) at the Woman’s Building in LA, the Women’s Interart Center in New York City, and another feminist organization in Washington DC, attempted to set up a video exchange among feminist art organizations

This is a gaze of the body and a notion of spectator that the 90´s decade constructed, this is the audiovisual legacy of the 90's for our actual audiovisual control world.

"In the spring of 2002 I handed over to Charles Atlas a collection of films and videotapes in various formats that I had been accumulating with an eye to his editing them into what I call a "faux Rainer portrait" (though he may well call the final produ

An example of what Reeves terms “video poetics,” layered images of a deserted village in the Spanish countryside play counterpoint to poetry by Cesar Vallejo and Pablo Neruda.

“Mining an ironic vein by turning technology against itself, AlienNATION undercuts the sociological ramifications of modern living.

In this impressionistic piece, O’Reilly provides a gripping portrait of personal trauma, while detailing the severe mental and physical confusion following two incidents.

Child uses the soap opera format to play with the structure and expectations of the family melodrama.

Ripe fruit in sweaty socks; soft eyes, stained and suffering in the origin of consciousness, and a soul needing refrigeration, for it has nearly gone bad!

Filmed from the artist’s window during lockdown, Citadel combines short fragments from British Prime Minister Boris Johnson’s speeches relating to coronavirus with views of the London skyline

Joel Shapiro (b.1941) came to prominence in the early 1970s with his representational miniatures of everyday objects like chairs and houses. Since then he has become one of the most exhibited American sculptors.

Based on accounts of girlhood anorexia, Swallow unravels the masked and shifting symptoms that define clinical depression.

"I, Soldier is the first part of a video series in which I am dealing with the state-controlled ceremonies for the national days of the Turkish Republic.

George goes to Oklahoma, but there's a lull in storm activity. It's spring, and though there's romance in the air, the lightning just doesn’t strike; so George makes his own rain—of sorts. Despite the drought, the videos must go on.

The inverted camera catches Nauman standing at the end of the room, slowly spinning around on one foot, first head down in one direction, then head up in the other direction.

Alice Neel (1900-1984) is known for portrait paintings of well-known persons and eccentric New York street types.

Taking its title from a sound design maxim and using it as a conceit to grasp the desire for connection, See A Dog, Hear A Dog probes the limits and possibilities of communication.

Part of paraconsistent sequence series and the hauntology series.

Formally eclectic but heartfelt tribute to the holiday home movie heritage of low gauge formats.

Spanning 500 years of colonial destruction, Nosferasta tells the story of Oba, a Rastafarian vampire, and Christopher Columbus, Oba’s original biter, as they spread the colonial infection throughout the “new world.” Formally a vampire film and

Skating softly, but carrying a big stick, performer Kristin Elliott engages in an interlocking series of skits involving simple, slapstick activities performed by a pristine outdoor pool and in a venetian blind windowed corner of a room.  Bodies of

I reconcile the violent act.

In this hour-long video, Dan Sandin demonstrates and explains in detail on modules of the Sandin Image Processor.

Veronica Majano depicts the character of a street in the Mission District of San Francisco.

The 2008 iteration Muntadas and Reese's series documenting the selling of the American presidency features political ads from the 1950s to ads from the 2008 campaigns, and highlights the development of the political strategy and marketing techniques of

Newton Harrison, born 1932, is one of the earliest and best known social practice and environmental artists.

Hey Bud revolves around the suicide of Bud Dwyer, a government official who killed himself before a television audience.

The third in a series of cross-cultural symposia organized by Lucy Lippard, the four artists interviewed here—Jean Lamar, Hung Liu, Lorna Simpson, and Kathy Vargas—discuss their work and its cultural contexts. Moderated by Lucy Lippard. 

Dan Sandin designed the Image Processor that, partly because of his decision to give away the building plans, has effected an energetic and aesthetic investigation of the technological structures of electronic media.