Domestic life in south London filtered through stories of weight (and waiting), local history, bad dreams and the ongoing colonisation of the moon.

Original music by Bruno De Angelis.

A call from the beginning, the ancestral water, the everlasting belly from where life cries out.

Benglis uses the video format as a metaphor for other types of limiting conditions or limited realities.

Kentridge's hauntingly beautiful series of animated black and white drawings brings viewers into the artist's unconscious.

In this piece I am exploring the idea of belonging by tracing the outline of the shifting skyline. Through imagination, learning, and a continuous adjustment, I strive to relate the communal with personal identity.

— Ezra Wube

A single-shot, choreographed portrait of the Foley* process, revealing multiple layers of fabrication and imposition. The circular camera path moves inside and back out of a Foley stage in Burbank, California.

In the beginning was the weave, and the transmission of its workings, a curse of mortality—so ends Quantum Creole with the fabulous words of the Papel weaver, Zé Interpretador.

"I asked the inmates in my Art Group on the HIV/AIDS unit - Del Norte to talk about their experiences from the womb to the present moment. Here are their stories."

–Wendy Clarke

Imagine that the camera is possessed with a psychosis similar to human schizophrenia; suppose that this disease subtly changes every single frame of film while leaving the narrative superficially intact.

A collaboration with writer Luc Sante made in Tangier, Morocco, a city where neither of us had ever been.

The projection and screens in this installation are access points meant to connect the present to an ancestral past.

The violent surgical act of a boy’s circumcision is contradicted by the peacefulness of his facial expression. Proud to join the world of men, the boy is trying his best to be brave. Yet can the passage to adulthood be that simple?

Though the use of fairytales and dark fantasies, these works combine the commonplace with the macabre to construct a new world of the subconscious.

Offering was co-commissioned by Dancing in the Streets (New York), the Walker Art Center (Minneapolis, where the proscenium version premiered January 9, 2003) and the University of Arizona (Tucson).

This short piece introduces the visual artist German Bobe. A narrator explains Bobe’s background in various media, stressing that his work—the media he chooses and the themes he revisits—presents a synthesis of the concerns of his generation.

In the next chapter of Bobby Abate’s mysterious lo-fi cyborg tale, we find ourselves roaming the set of a 1960’s evening newscast.

"It was as if I was living by the Nike slogan Just Do It."
— George Barber

In Dry Blood (Sagre Seca), various historical moments of political activism in Mexico are superimposed and corroded on the emulsion of expired film.

This video presents a history of alternative spaces in New York City during the late 1960s and early 1970s, focusing on two galleries that no longer exist.

A cinematic exploration of African American intellectual, social, and political life at University of Virginia during the 1970s.

The latest in Muntadas and Reese's series documenting the selling of the American presidency features political ads from the 1950s to ads from the 2004 campaigns, and highlights the development of the political strategy and marketing techniques of the T

SPRING is a four minutes and fifty-six seconds experiment with psycho-optics and psychoacoustics to produce a field of moving images and sounds starring Ho Chi Minh, Occupy Wall Street actions and Crocus.

Hub proposes that the idea of home is today perhaps better expressed as a sense of being between places.

“Levy's work is both ramified and momentous, addressing environments of many kinds, and filled with stories in which human behavior has played a decisive role.”

A woman stands on top of a hill in Namibe desert in Angola, looking into an extensive horizon of a vast desert, she signals the hope of crossing these borders symbolizing the repossession of the land and the regaining of a lost identity.

Video from the 2nd Interactive Electronic Visualization Event (IEVE), a collaboration event with SAIC's Video Department and the University of Illinois Circle Campus.

Made using voicemails the Kuchar brothers left on her home answering machine, the artist reveals George and Mike in all their candid honesty leading up to and following George’s untimely death in 2011.

This is the apparition, the ghostly flight over our present time of the infamous conqueror Pánfilo de Narváez. The exterminating angel of our times. Part of the Hauntology and Post-Covid series.

Covert Action is a stunning melange of rapid-fire retro imagery accomplishing Child’s proclaimed goal to “disarm my movies.” “I wanted to examine the erotic behind the social, and remake those gestures into a dance that would confront their co

A. D. Coleman started writing regularly on photography in 1967 for the Village Voice, at a time when very few critics took the medium seriously.

Though this video segment bears the title Construction Workers Rally, much more than issues of labor are addressed.

The final film in Friedland’s Movement Exercises trilogy, Trust Exercises is a hybrid experimental dance film which explores the tension between the poetics of group movement and its instrumenta

Go-Rilla Means War is a filmic relic of gentrification featuring 35mm film salvaged from a now demolished Black Civil Rights Theater in Bedford-Stuyvesant, Brooklyn.

Scenes from an Endless War is an experimental documentary on militarism, globalization, and the "war against terrorism." Part meditation, part commentary, Scenes employs recontextualized commercial images, rewritten news crawls, and o

Featuring Ken and Louise from Wendy Clarke's One on One video series, this video exchange encompasses a shared passion for music and pure emotional vulnerability that creates an incredibly intimate relationship between these two strangers throu

In collaboration with art historian Dore Bowen, a video recording of her phone interview with Yoko Ono during which a discussion of John Cage and chance operations intervene.

Letting go of realist constraints, and going back to the mirror-images of some of Provost’s famous previous works, we are diving into a cosmic ocean of ever metamorphosing baroque circumvolutions in which our minds try to capture reassuring forms before

50 doves fly out of a window, one by one. Some escape in a rush, some take their time and seem to be hesitating. The Dove symbolizes new hope and new beginnings after a disaster, as in the biblical story of the flood.

Furthering the Animal Charm mission to undermine normality and create new stories from old, the videotapes in this collection seek to reinterpret and/or disrupt the flow of found footage narrative.

This essay film asks what it means to be an audience, in the wake of the Americans with Disabilities Act, which claims but often fails to prohibit discrimination against disabled workers and audiences in the United States.

A series of three videotape fragments (Fuse, Timer, Slow Down) presented as visual commentaries on television ads, these pieces are critical responses to the visual speed, narrative style, and format used in the making and del

five more minutes is an exploration of grief. Two women spend an afternoon recreating lost time. What begins as play-acting breaks open into a world where the tenderness and sorrow of having to say goodbye exist untempered.

El jardín del amor (The garden of love) is a celebration of life and love, religious ecstasy, where animals, humans and nature coexist in harmony.

Found-footage video about America’s obsession with guns and some of the negative consequences of that obsession. 

Jim Dine (b. 1935) first emerged as an avant-garde artist creating Happenings and performances with Allan Kaprow, Claes Oldenburg, and others in the early 1960s.

The second video of the installation Touch Parade, which as a whole explores “plastic love” or fetish culture and the assimilation of marginalized sexuality on t

Part of shamanic materialism and the aesthetic of trance. 

“For quite some time the Hamburg artist Cornelia Sollfrank has been researching female hackers and found that hacking is a field completely under male domination.

Communists Like Us is an ambient music video made from a few seconds of archival footage of Mao Zedong applauding and members of the Red Guard chanting.

The filmmaker continues his investigations in human and dog behavior, befriending a trainer, a dog with PTSD, and further ingratiating himself into the puppy play kink community.