Laurie Anderson is perhaps best known as a performance artist who works in both the art and commercial worlds.

This is a kinetic tribute to Sylvia Plath at a time of the pandemic vortex, a dissemination of suspended bodies in the liminal space. Haunted figures in the Capitalocene era.

75 people speak 50 languages sometimes simultaneously.

In this short video, the Videofreex sit in on, and record part of, a lecture given by Jesse Ritter to undergraduate students at Princeton University in 1969.

The filmmaker continues his investigations in human and dog behavior, befriending a trainer, a dog with PTSD, and further ingratiating himself into the puppy play kink community.

“Images from the maximum-security prison in Corcoran, California. A surveillance camera shows a pie-shaped segment of the concrete yard where the prisoners, dressed in shorts and mostly shirtless, are allowed to spend half-an-hour a day.

2 Channel Land is a north-western docu-fiction film exploring the history of analogue signals spilling across the borders of Ireland and Britain.

“Animists are people who recognise that the world is full of persons, some of whom are human, and that life is always lived in relationship with others.”

-- Graham Harvey, Animism

"The video Emission found its origin in three performances which I wrote between 1988 and 1991. In their original form, the performances dealt with sex, romance, and communication technologies.

Lee Krasner (1908-1984) was born in New York and attended Cooper Union, the National Academy of Design, and the Hofmann School to study painting.

"Mama mama mama...," a woman calls out again and again, over and over. Is it her child that she mimics, or is she calling for her own mother? A desperate video performance in the first person.

The popular images of Asian American males, historically propagated in the mass media, range from "silent, sex-less, obedient houseboy" to "mystic martial arts master".

Sportello Quattro, filmed during a residency at the American Academy in Rome, is about immigration, work and community among people of color in contemporary Rome, Italy.

Cast: Joseph Bayorha.

" order to take the next step (not forward or backwards, but only: to go on) it is often necessary (for me) to lean on a picture made by someone else; sometimes a word will do, a gesture, the look on a stranger's face.

In the late 1990’s I presented a slide lecture on how my art references impermanence and dying.

The season sweeps through in a blur of glitches, gulps and sweetened goo, as chimes wring out the old and ring in the new.

Spit Sandwich is a compilation of 19 comical and entertaining works from the master of deadpan. Experiments with the video signal combine with visual jokes and one-liners to hilarious effect. Includes: II got .

This tape was originally an installation at the Whitney Museum of American Art, part of which included the video collaboration Channels of Desire.

British-Ghanaian, writer, theorist and filmmaker Kodwo Eshun (b.1967) is known for his interest in the electronic mythology of sound. In this interview, Eshun discusses his desire to challenge the predominance of sociological inquiries into the historical and stylistic development of music.  Eshun seeks to establish a model of inquiry that is much more concerned with the materiality of sound.

"In this eight-minute video work, we are given nonnarrative footage sutured together to form a fragmented, hallucinatory sensation.

While on tour for his new book Exo-Psychology: A Manual on The Use of the Nervous System According to the Instructions of the Manufacturer, Timothy Leary gives a lecture at the University of Illinois Circle Cam

An intimate interview with filmmaker, videomaker, film critic, poet, lecturer, and curator Jonas Mekas.

A journey into the centre of Hell; Dante's The Divine Comedy, illustrated by Gustav Dore's wood engravings and animated by scratching directly into the surface of the film. 

Hotel Diaries is an ongoing series of video recordings made in hotel rooms, all of which relate personal experiences to contemporary world events.

The inverted camera catches Nauman standing at the end of the room, slowly spinning around on one foot, first head down in one direction, then head up in the other direction.

This project on family violence, spanned two years and several sites across the country, and involved wrecked cars in sculptural installations. The cars were reconfigured by women and children who suffered violence at the hands of loved ones.

During my stint as an entry-level acquisitions scout at a now-defunct art house distribution company, I amassed a small collection of VHS tapes from a vast pool of unsolicited submissions.

A military installation is beset by unidentified flying objects while the personnel try to come to grips with their own mysterious yearnings and the cumbersome protuberances that protrude from their own species.

Part of paraconsistent sequence series and the hauntology series.

A newly re-mastered collection of 17 vignettes and performances to camera, produced during 1974-75. Some use props and sight gags to preposterous effect; others star Man Ray, lapping milk from a glass, stopping marbles and dropping balls.

AA is a portrait of the dream diaries of Russian avant-garde feminist poet and photographer Anna Alchuk.

A minimal, suggestive narrative about a summer trip to the Jersey Shore, fictionalized by subtraction.

Reclamation is a documentary-style imagining of a post-dystopian future in Canada after massive climate change, wars, pollution, and the after-effects of the large-scale colonial project which has now destroyed the land.

Half tongue-in-cheek absurdism and half deadly earnest, Culture Capture: Terminal Adddition continues New Red Order’s ongoing project of “culture capture,” recruiting viewers to participate in a program of practical strategies to counter the “s

Art Spiegelman was born and raised in New York, and began working as a cartoonist while still in High School. He attended the State University of New York in Binghamton, where he studied Philosophy.

Double Sigh is a video in which my mother reenacts a moment from my adolescence. In confronting the viewer directly, my mother's anger, frustration and sadness are imposed on the audience.

– Julia Hechtman

Images of friends and landscapes are cut, fragmented, and reassembled on an overhead projector as hands guide their shape and construction in this film stemming from Hollis Frampton’s Nostalgia.

This video documents the first cablecast of Austin Community Television (ACTV) in which George Stoney and a group of University of Texas students assembled playback equipment on a hilltop at the cable system's head-end.

Having a party and in a fix for a dessert? The “Lady” Bunny has just the recipe: combine a doughnut, Cherry 7-Up, jelly, strawberries, and whipped topping.

In this episode of the Whispering Pines series, Moulton's character Cynthia is confronted with a distorted mirror image that slips between the grotesque and the exotic, depending on her posture.

This husband and wife team has collaborated on numerous projects in the U.S.and abroad. Their approach to making art involves finding solutions to ecological problems.

Transexual Menace takes its title from the name of "the most exciting political action group in the USA"—transgendered people who are defining themselves, demanding their legal rights, and fighting for medical care and against job discriminatio

This moving video portrait follows a group of teenage boys who attend the Masada School, a school for juvenile delinquents and social misfits.

A.R.M. Around Moscow documents particpants in A.R.M. (American-Russian Matchmaking) to explore the relationship of personal power to domestic identity, and economic and political structure.

A performer lip-synchs to archival audio featuring the voice of author and anthropologist Zora Neale Hurston as she describes her method of documenting African American folk songs in Florida.

Magic Thinking is a multi-platform film installation steeped in the current moment when climate catastrophe, the COVID pandemic, and the rise of fundamentalism combine to contribute to an apocalyptic aura.

A series of abrupt vignettes and transitional montages paint a torrid portrait of a tropical isle in the grip of terror.

By using clips of evil queens/witches this video plays off the sadomasochistic lesboerotic subtexts commonly found in children's entertainment. A helpless maiden is tiring of her consensual s/m relationship with her lover, and "evil" queen.

The four‐part cycle Parallel deals with the image genre of computer animation. The series focuses on the construction, visual landscape and inherent rules of computer-animated worlds.

A transcription of what I have been told during intimate experiences while separating from my husband.