Veronica Majano depicts the character of a street in the Mission District of San Francisco.

Setting her pixelvision camera on herself and her room, Benning searches for a sense of identity and respect as a woman and a lesbian.

The 2008 iteration Muntadas and Reese's series documenting the selling of the American presidency features political ads from the 1950s to ads from the 2008 campaigns, and highlights the development of the political strategy and marketing techniques of

Linda Williams writes on what she calls “body genres”: melodrama, horror, and, most famously, pornography.

Dan Sandin designed the Image Processor that, partly because of his decision to give away the building plans, has effected an energetic and aesthetic investigation of the technological structures of electronic media.

The Diaspora Suite

Under the spell of Toloache, the hypnotic images come up.

A metropolis awash in electrical overdrive crashes in the heat of summer and sends a Bronxite into the clutches of a waterworld further north.

A man is shot inside an empty room and he moves and takes on positions continuously out of center.

A love letter to the Internet from a feral cat in Brooklyn.

Guerilla Girls are artist activists who have dedicated themselves to informing the public of the gender and racial inequalities that persists in the art world.

Antonio Muntadas and Marshall Reese have been documenting the selling of the American presidency since 1984, and have expanded and updated the series with every election.

"I got my first Sony Portapak in 1972 and started keeping a video diary. I sat facing my image on the monitor and talked about what was going on in my life. In 1977 I decided to talk about my current experience with love.

For 200 Nanowebbers, Semiconductor have created a molecular web that is generated by Double Adaptor's live soundtrack.

Love is in the air as newlyweds chomp on cake, brides marry werewolves, and hatchets fall on adulterous heads.

The frame is filled with two concentric magnifying lenses, one larger than the other. Behind them is a mirror. The mirror turns and reflects the landscape around it.

This is the contained power of the sacred seeds, the vibration of the ancient seeds of corn and their passage through an ocean of pulsating luminosity. A germinal liturgy of holy seeds.

This humorous selection of performance-oriented videos maps a trajectory between consumer society and psychoanalytic confession. HalfLifers perform two rescue missions using colored snack food and everyday objects as means towards transcendence.

In Mute, fragmented images of the female body, recalling sensuous landscapes, suggest the objectification of women in a culture that renders them silent.

The colorized abstractions of Moog Images were created by feeding Moog synthesizer oscillators into the video inputs of a television monitor.

In collaboration with Iris McCloughan.

The film centers on the images of the Gulf War, which caused worldwide outrage in 1991.

In this 2014 interview, South African artist Kendell Geers (b. 1968) discusses the function of magic, myth, and memory in his work. Beginning at childhood, Geers charts the path he has taken in his understanding of his own biography as a site of resistance. This interest in the use of personal biography culminated in 1993 with his decision to change his date of birth to May 1968 as a way to reference both the May 1968 student protests, and the fact that 1993 was the first year that South Africa had participated in the Venice Biennale since 1968.

"In Some Dark Place, filmmaker Cecelia Condit explores the dislocations of identity and memory that aging forces upon us, without losing sight of life's beauty."

— Milwaukee Film Festival, 2016

A political composition on natural resistance. These images are an expiring breath in danger of extinction. These images become extinguished, consumed: a drop, a pure intensity which only appears when falling.

"I'm not going to go to the Anne Frank House—I don't think I could take it—being a tourist is bad enough—though I'm not really a tourist—I'm here working—my camera's the one on vacation—taking holiday sounds and images—it's having a nice change of pace—

Students reclaim a popular gathering spot on the campus of the University of Virginia.

A promotional vehicle with lane-changing tendencies, but both hands kept on the wheel at all times.

An alternative earth music video. An epic last stand. A portrait of two utilitarian workers engaging in a collaboration with Karen, manifesting improvisational geographic friendships...

China Town traces copper mining and production from an open pit mine in Nevada to a smelter in China, where the semi-processed ore is sent to be smelted and refined.

Lambert is a Chicago-based musician and media artist. His creative output primarily consists of vocal driven art-pop music and pop-inflected video art made from repurposed industrial and commercial media.

Our Non-Understanding of Everything is a series of 16 videos that explore how the structures of architecture, semiconductors, and circuits become forms of expression reflecting hierarchies,

Segalove re-enacts the trials and travails of her desperate, hormonal, pubescent years with actors dancing their way through what looks like a techni-color version of the Cleaver’s backyard.

A Yosemite gargoyle climbs two gothic arches.

Juxtaposing the text of Off Limits, a film made in 1987 about Saigon circa 1968, with the soundtrack and image of the last five minutes of Easy Rider, made in 1968, Tajiri parallel edits these representations to play with the evocation

Timely concerns about the future of video, artists’ complicity in the money making system of the ‘establishment,’ and the effect of the camera’s presence on personal encounters, is discussed and debated in this late night video produced by David Cort, C

In the video Glennda does DC, Glennda interviews people in Washin

"The video Emission found its origin in three performances which I wrote between 1988 and 1991. In their original form, the performances dealt with sex, romance, and communication technologies.

"Wedding takes its name from the predominantly Turkish neighborhood in Berlin where most of the footage of the film has been recorded.

A short production I concocted with the students from the School of the Art Institute of Chicago and a tour through the old Playboy Mansion in Chicago where I bedded down for several days, alone and confused.

The popular images of Asian American males, historically propagated in the mass media, range from "silent, sex-less, obedient houseboy" to "mystic martial arts master".

History haunts the border town of Columbus, New Mexico when riders on horseback cross the border to commemorate Pancho Villa's 1916 raid.

In this video, made soon after the death of his mother Stella, we accompany George to the wake, and on to a trip to Albert Maysles holiday home on Fisher's Island.

In this moment when the believability of our reality continues to stretch - blue people are hoping to enter into our reality environment.

In English, Chinese, Haudenosaunee, and Spanish. This video is originally a 2-channel video installation.

In this interview, Indian artist Shuddhabrata Sengupta (b. 1968) discusses his role in the initiation of the Raqs Media Collective, a Delhi-based artist collective, active since the 1990s. At the time of this interview, Raqs had been creating documentaries, art installations, and educational programs for eighteen years. Sengupta likens the driving force of Raqs to that of a game of catch, a process generated by a back-and-forth dialogue mobilized through writing and in-person meetings. As children of the late sixties, Sengupta explains how and why the members of Raqs, (himself, Jeebesh Bagchi and Monica Narula) share an interest in investigating mass communication, technologies of visibility, and the significance of memory and travel. It is also for this reason, Sengjupta explains, that the Collective’s work is committed to fostering rigorous research in addition to art-making endeavors.

Wawa peeks at the anxieties and difficulties of communication through the interactions between speakers of an endangered Indigenous language, each from differing cultural backgrounds and generations.

Part of the paraconsistent sequence series.

An intimate dialogue with Soha Bechara, ex-Lebanese National Resistance fighter, in her Paris dorm room.

As the AIDS epidemic took hold in the early 1980s, self-help guru Louise Hay created a space for healing called the Hayride.

Produced without camera input, this intense electronic landscape transports the viewer into a world that is an abstract study in machine-generated imagery. Produced at the Experimental Television Center.