“A documentary about the Arkestra, but it's one whose presentation reflects the multilevel approach Sun Ra had to music and life in general.

Milton Resnick was born in Bratslav, Russia in 1917, and immigrated to the United States in 1922. Resnick was one of the few survivors of the second generation Abstract Expressionists, and is known for his large, thickly painted abstract canvases.

automatism and (-)(+) feedback is a 3:29-minute video made from shot footage of a 10-year-old child playing Zombie Smash on a handheld device.  The video footage and sound have been repeatedly rescanned and resampled using a telev

An experimental portrait of a lighting stand-in and body double for a famous Hollywood actress, and a glimpse at the behind-the-scenes of cinema production

Music by The Velvet Underground.

A film about haircuts, clothes, and image/sound relationships.

The performers are seated around a pink octagonal table on pink, violet, and silver cinder blocks. One performer (Robert Stearns) stands up, recites the credits for the piece, and then says, “Do you believe in water?

Strike Anywhere is a video essay that takes as its point of departure Swedish "Match King" Ivar Kreuger, whose privatization of financial crisis management strategies bears a direct relation to late-20th Century policies implemented by the IMF

For 5 months, Clarke held workshops with young women, ages 18-23 years old, who were incarcerated at the Ventura Youth Correctional Facility in Camarillo, California.

You Are What You Are Born For features three blind sisters who sing for their survival on the streets of Campina Grande, Brazil.

Filming is alchemy; preserving, seeing, devouring, cutting. Chopping the flow of images with a push of a button. It privileges a solitary unseen protagonist, choosing this over that and then that, it eats anything, not everything,

Upon entering the harbor, the voyager leaves the exceptional condition of the boundless sea--this traversable space of maritime immensity--to come ashore in an offshore place, in a container world that only tolerates the trans-local state of not being o

The third in a series of cross-cultural symposia organized by Lucy Lippard, the four artists interviewed here—Jean Lamar, Hung Liu, Lorna Simpson, and Kathy Vargas—discuss their work and its cultural contexts. Moderated by Lucy Lippard. 

CHANNELING is an entryway into the spirit realm and the queer body politic: a program of experimental moving image work that calls up the ghosts of the past and the specters of the future.

When a handful of composers and musicians staged a week-long festival in New York in 1979, they had little idea how large an audience "new music" would attract.  Thousands of people stood in line for hours for a chance to crowd into performan

Richard Schechner is Professor of Performance Studies at New York University, author of numerous books including Performance Theory (1988) and The Future of Ritual (1993), and editor of The Drama Review. This interview with Na

In collaboration with DonChristian Jones.

The artists of the future and the past converge and converse as the funding dries up and extrapolation envisions extinction.

A speculative portrait of a Dutchman living in the Surinamese jungle, fixing canoe motors, who is accused of eating the locals' children.

An erotic/mystical misadventure in which the allure of the religious path is strewn with earthly temptations.

Radio reports analyze staged photographs we do not see, showing the victims of a mass murder committed by Mexican soldiers.

Sunday, 6th April 11:42 a.m. is a video about landscape as a complex network of connections that guide relationships between people.

The University of Virginia gospel choir Black Voices returns home from a triumphant concert in Hampton Roads.

A winter chill sets in making the furry residents of various dwelling places a center of affection and reflection. The images conjured up are steeped in a twilight worthy of polar pinpoints in the grip of glaciated gloom.

A newsletter that turned into a film about hands (fast forwarding through slow times).

Trans filmmaker Jules Rosskam's against a trans narrative is a provocative and personal experimental documentary investigating dominant constructions of trans-masculine identity, gender, and the nature of community.

“Hopinka’s video Mnemonics of Shape and Reason (2021) traverses the memory of a place and space visited by the artist.

Over a montage of family photographs, Freed’s narration questions the consistency of memory and self over time, with Freed displaying a quizzical and sometimes hostile relation to her past.

A billboard looming over the 5 Freeway advertised a mortuary called “Eternal Valley.” In Green Valley, California, the road stops, eroded and dysfunctional, but continues to be nothing other than a road.

This arresting early work conveys a tension that emanates from what Tanaka posits as life's basic dualities: male/female, past/present, known/unknown.

An incomplete and imperfect portrait of reflections from Standing Rock. Cleo Keahna recounts his experiences entering, being at, and leaving the camp and the difficulties and the reluctance in looking back with a clear and critical eye.

There are approximately 30,000 Filipino guest workers living within the State of Israel. The majority are female and work as caregivers for the elderly or sick.

"How can the distinction between "man" and "machine" still be made given today's technology? In modern weapons technology the categories are on the move: intelligence is no longer limited to humans.

The Politics of Breathing: Tear Gas.

Spanish artist Jaume Plensa (b. 1955) creates sculptures and installations that intend to unify individuals through their relationship to memory, the body, and spirituality.

Turistas deals with the letdown of a world that is pre-mediated and post-digested—a video travelling guide that updates the 19th century artist's Grand Tour and downgrades it to 21st century not-so-Grand status.

Frances, a young Gay Indian (2 Spirit), played by Lacey Hill, is struggling with the aftermath of a gay basing. Through her friendship with her ex Jean, she gathers the strength to go out in public again.

The third installment in the Action Series. Two characters engage Ann Hamilton's Headlands kitchen-space and create temporal resonances. To survive they must break the fast (a midnight snack) and service the meal.

The Political Advertisement project began in 1984, when New York-based media artists Muntadas and Reese produced their first compilation of American presidential commercials, beginning with Eisenhower in the 1950s.

Footage from a performance produced at Forum en Scene in Middleburg, Holland of the players continually enacting the same tasks. Nothing To Lose opens with a young, androgynous sailor standing between two buildings, while the song Nothing To Lo

In a motel in El Reno, Oklahoma, George observes the weather and copes with leaking air conditioning, food shopping, loneliness, television, and eating, among other things.

An experimental video about cultural and political disputes surrounding immigration and naturalization processes. Work In Progress explores the effects of the 1986 U.S.

When everyone has forgotten the romantic refrains of the Internationale sung in different languages, Pablito, a blue front Amazon parrot, capable of living to 100 years old, will remember.

As a foulness shall ye know Them. Their hand is at your throats, yet ye see Them not; and Their habitation is even one with your guarded threshold. The wind gibbers with Their voices, and the earth mutters with Their consciousness.

Growing up in the early computer age, around machines like the Commodore 64, had a formative effect on Marisa Olson and her subsequent artistic career.

Part of the paraconsistent sequence series.

This is the new choreography of devotion, via the vlog of southern nightmares. This is the light that never goes out. This is the line describing your mom.

Impetigo is the story of passion and possession in a steamy nocturnal landscape. The title is a reference to the poem A Man All Grown Up is Supposed To, by Terry Stokes.

"Conspiracy Of Lies speaks of the alienation of minorities, of consumer culture, urban isolation and the fine balance between mental order and chaos.

Within a backdrop of the natural world, a woman explores a personal relationship with the home artificial intelligence (AI) device, Alexa.

The Look of Love: A Gothic Romance is an experimental video/audio collage in four acts. Performing in various guises, Suzie Silver embarks on a quest for the magnificence—and horror—of desire and pleasure.