A whimsical science fiction comedy with a soundtrack of pop music and experimental electronica. File under experimental. Play at maximum volume.

Clarke works with four men (Paul, Solomon, Eli, and Leslie) making masks for their video image. The video was made through the Arts in Corrections program at the California Institution for Men in Chino, California.

Heliocentric uses timelapse photography and astronomical tracking to plot the sun's trajectory across a series of landscapes.

Meredith Monk (b.1942) has been composing, choreographing, and performing since the mid-1960s. Monk is primarily known for her vocal innovations, including a wide range of extended techniques, which she fir

C.L.U.E. (color location ultimate experience), Part 1 is a collaborative video and performance work by artists A.L. Steiner and robbinschilds, with AJ Blandford and Seattle-based band Kinski. Inhabiting the intersection of human movement and architecture, A.L. Steiner and robbinschilds (Sonya Robbins and Layla Childs) present a full-spectrum video, set to a score by rock quartet Kinski.

Shape Games is a film about play, abstraction, and enchantment. A series of strange and seemingly pointless activities unfold.

Based on Emanuel Admassu's essay Menged Merkato, an architectural analysis and historical journey of the largest open-air market in Africa, located in Addis Ababa, Ethiopia.

In collaboration with fellow camera operator Alan Gerberg, Freed visits George Segal at his North Brunswick, N.J studio in October 1972.

The second in a series of cross-cultural symposia organized by Lucy Lippard, the four artists interviewed here—Jolene Rickard, Robbie McCauley, Judy Baca, and May Sun—discuss their work and its cultural contexts. Moderated by Lucy Lippard.

Ever listen to Loveline? Well, here's an episode with a 24-year-old Korean American guy who's never been kissed. They're offering free concert tickets to any girl who'll come in and take a chance.

Do Not Circulate, an experimental short film, attempts a structuralist and materialist approach to unraveling the entrails of a collective media memory.

Das KunstKabinett or the Cabinet of Curiosities is a 'microcosm' or theater of the world, a memory theater which provides solace and a retreat for contemplation.

In Islands, Fung deconstructs the 1956 John Huston film Heaven Knows Mr. Allison to comment on the Caribbean’s relationship to the cinematic image.

Set in the industrial suburbs of Beirut, Majnounak (Crazy of You) explores male sexuality through interviews with three men who are asked to recount very openly the beginning, middle, and end of a sexual relationship they have experienced.

Altamira is the paleolithic and post-human experience of the bloom of cinema. The cinema in a cave, the lightning of his presence, the fire of his birth. The paleolithic and post-human intermittence of the life of cinema.

On a gradually inclined plane, attempts are made to scale the rise, and rubber shoe marks leave evidence of the point where all of humanity fails.

Ned the dog eats, growls and passes gas as we, the viewers, pass the time with him and his keepers as they share the stolen hours with us all. It’s all here: the pizza, the memories, the good times and the bad.

Coco Fusco is a Cuban-American artist and author who investigates race, gender, politics, and identity through installations, performances, video work, and writing.

In Performer/Audience/Mirror, Graham uses video to document an investigation into perception and real time informational "feedback." The performance is doubly reflected back to the audience by the artist's lecturing, and the architectural devic

" order to take the next step (not forward or backwards, but only: to go on) it is often necessary (for me) to lean on a picture made by someone else; sometimes a word will do, a gesture, the look on a stranger's face.

Found-footage video that addresses American racism and the violence that it spawns. 

In Shelly Silver’s frog spider hand horse house, the effort of all things to keep existing has been observed by someone with a camera who seems, as far as personality goes, to be no one.

This title documents events at the opening of the 1970 exhibition Vision and Televison.

Shot in Lebanon, Syria and Jordan, this essay uses transportation, video, and photography to examine images circulating in a historically charged, and presently war-torn and divided, Middle East.

Psychologically disturbed Professor Herville (Joe Gibbons) analyzes the literary classic Moby Dick. He gives a tour of the Herman Melville Museum and makes much ado about the book’s Oedipial themes.

Known as one of Italy's most important filmmakers, Pier Paolo Pasolini was first and foremost one of its poets.

In creating this record of her pregnancy, the changes and special insight it brings, Millner borrows freely from anthropology, art history, soap operas, physical fitness scams, sex education manuals, and psychoanalysis.

Habit is an autobiographical documentary that follows the current history of the AIDS epidemic along dual trajectories: the efforts of South Africa’s leading AIDS activist group, the Treatment Action Campaign, struggling to gain access to AIDS

This tape addresses spiritual closure.

white and fifteen movies starring Charlton Heston is a stroboscopic work made from fifteen films starring Charlton Heston. Each film has been algorithmically condensed down to thirty seconds in length.

A series of unnatural deaths and departures (almost all, of men) disrupts the lives of nine families sharing an apartment building in Jerusalem.

Philip Pearlstein (b.1924) began painting figures in the 1960s and is known as a leading figure in American Realism. Throughout his career, Pearlstein's paintings evolved from an expressionistic style to a meticulously analytical vision.

Danny Tisdale is a performance artist from New York City.

Something Else is a film about found footage as subject matter and Miss Black Roanoke, Virginia 1971 expressing her thoughts about the upcoming Miss Black Virginia 1971 Pageant.

Cast: Rene Marie.

Created with Caleb Craig.

In Birth of a Nation, Jem Cohen takes his camera to Donald Trump’s presidential inauguration and to the next day’s protests.

Torn over the pressure to perform for his audience, Acconci fantasizes about "a dancing bear" who takes his place, performing in the spotlight, doing what others want, "what I always had to do."  The viewer is placed in the position of an authority

Los Angeles-based, Kaucyila Brooke (b.1952) makes what she describes as, "wall size photographic sequences in comic-strip format that consider lesbian relationships within American popular culture." Produced over the past five years, Brooke’s large-scal

With various trips to the seashore, this summer travelette becomes an inner journey through mythical realms populated by rubberized horrors.

Meditation is from Martine Syms’ Kita’s World series. Kita enacts the performances of everyday life in a hyper-digitized world.

At sunset a large orchestra, a choir and a group of young people position themselves against the backdrop of a mountain landscape. The musicians play the first section of Mahler's 8th Symphony, moving in precise choreography.

In this 2002 interview, filmmaker Joe Gibbons (b.1953) discusses his early work and the path that led him to an interest in both narrative and experimental film. Gibbons recalls how exposure to P.

A collision of separate pasts, this film pieces together fragments of the director's own images and text from a 1991 visit to the East German town of Halle with those produced by Bauhaus painter Lyonel Feininger in 19

The Choco area in Colombia is isolated between the sea and the forest. Religious missions, military operations, and tourists have come and gone within the region — coexisting and ignoring each other simultaneously.

Tortillas are an ancestral and sacred food, our transmuted corn. The circular nourishment that represents the luminous and colorful side of the moon on which our life is nourished.

Short for "Probably The Last" (of the series), Spiral PTL uses the image processor like a musical instrument to create variations on a spiral, transforming its basic form into an ever-moving gyro.

This Is Not Beirut is a personal project that examines the use and production of images and representations of Lebanon and Beirut, both in the West and in Lebanon itself.

A mirror reflects voiceless eyes with stories to tell, ‘stories’ about feet attempting to climb steps to "perfection"....."stories" about canvasses that are traps for a caged artist who’s paint brush needs colors that

In 1975, the Feminist Studio Workshop (I was a member) at the Woman’s Building in LA, the Women’s Interart Center in New York City, and another feminist organization in Washington DC, attempted to set up a video exchange among feminist art organizations