The filmmaker continues his investigations in human and dog behavior, befriending a trainer, a dog with PTSD, and further ingratiating himself into the puppy play kink community.

Moving Stories strings together scenes of passenger aircraft in flight.  In this short study of the dramatic and narrative power of image and sound, Provost manipulates cinema language and reaches, though minimal means, a strong, emotionally loaded result.  With a limited number of images, an absorbing soundtrack, and a suggestive story line, the viewer's imagination is stimulated to the maximum.

Benjamin Buchloh is an influential art critic and historian; he has written extensively on contemporary art for journals and exhibition catalogs, as well as his essay collection Neo-Avantgarde and Culture Industry (2002).

A brief glimpse into the cycles of Coyolxauhqui, the moon goddess, whose cycles used to be a dance. A fast-paced jazz soundtrack accompanies the quick, darting movements of the moon.

In this 23-minute single-channel video, Campbell reconfigures scenes from archival 16mm film footage recorded by Solomon Sir Jones in the mid-1920s, film that documents the everyday lives of Black communities in Oklahoma, an area that once boasted

There But For resembles a soap opera; its characters—a couple whose relationship has seen better days, a ball-and-jack playing adult/child, and a couple that comes to visit the family—are in the midst of their day-to-day lives (an imitation of

An allegory recycling images from the past, still relevant to the present moment.

“Horses are lucky, they’re stuck with the war same as us, but nobody expects them to be in favor of it, to pretend to believe in it.”

This short piece introduces the visual artist German Bobe. A narrator explains Bobe’s background in various media, stressing that his work—the media he chooses and the themes he revisits—presents a synthesis of the concerns of his generation.

Betty Parsons (1900-1982) was an influential art dealer in mid to late 20th century New York.

Social Media Exodus (Call and Response) is part two of Zach Blas's Contra-Internet Inversion Practice series.

Featuring Arnold and Ahneva from Wendy Clarke's One on One video series, this video dialogue deeply connects the pair through discussion of Black brother and sisterhood.

In a conversation with one of the Hells Angels at a party the motorcycle gang has thrown in Manhattan, the interviewee introduces “Kenny, from the Videofreex” to his friends, commenting (presumably explaining the Videofreex project): “like low class soc

In Birth of a Candy Bar, the young people who worked on the video participate in a pregnancy prevention and parenting program at Henry Street Settlement in New York City.

The sonic fabric of 2nd Person, [originally] a multi-channel video installation, is formed through an array of women’s voices orchestrated as parallel tracks in a musical composition.

Decidedly low-tech, this optical abstraction begins with a shot of an aluminum reflector inside a lamp; a lightbulb in the shot’s center flicks on and off.

Scottish artist Thomas Lawson (b. 1951) is a painter, critic, and founding editor of REAL LIFE magazine who lives and works in Los Angeles. His paintings are tied to the particularities of the present, and he is especially critical of the art world’s infatuation with ego and creativity. His portraits, appropriated from the print media, represent an intervention in that vein.

The search for one’s true identity, the need to create, to find a proper place in the universe – this is the pursuit of the individuals portrayed in this narrative meditation… It is that quest to find meaning in exist

Ice falls from the sky as tears plip-plop onto wall-to-wall carpeting. No degree of renovation can enliven the dead that we mourn in our hearts as the storm of the centuries assails our heads with memories of the passing parade that got rained on.

Biting Nations, a video produced in collaboration with Luna Montenegro, Lisa Bradley, Arantxa Johnson questions the assumption of fixed national identities and investigates one’s multiple notions of geographical belonging.

Wendy Clarke's videos frequently feature unscripted dialogue, inviting speakers to create a video diary or to share their thoughts on a topic, such as love. This approach often results in sincere and honest portraits of the speakers.

As an ominous voice guides us through Best Is Man’s Breath Quality, we are confronted by dense and complex images and sounds that appear and disappear before us.

Chief Waiwai recounts for his village the story of a trip he and a small entourage made to meet the Zo’é, a recently contacted group whom the Waiãpi “know” through video.

At sunset a large orchestra, a choir and a group of young people position themselves against the backdrop of a mountain landscape. The musicians play the first section of Mahler's 8th Symphony, moving in precise choreography.

El Livahpla (Alphaville spelled backwards) is about the ways in which we "normals" are encapsulated in architecture and technology.

"This compilation is a selection of six short films and videos, made in London over the period 1994 to 1999.

Open Conch is a spell for pleasure and queer desire.

Comalli is the ancestral tool to cook our sacred food, our corn and tortillas. The circular tool that represents the dark side of the moon on which our earthly food burns. The cosmic dance of food and fire that nourishes our bodies.

They called him Umbrella Boy when he started his business. After repairing umbrellas on the same city block for over fifty years, he became Uncle Umbrella, a man who earned the respect and affection of his neighbors and customers.

Spanning 500 years of colonial destruction, Nosferasta tells the story of Oba, a Rastafarian vampire, and Christopher Columbus, Oba’s original biter, as they spread the colonial infection throughout the “new world.” Formally a vampire film and

Dennis Oppenheim was a prominent figure in various art developments throughout the ’70s.

Materials: 3378 hi-con, Laser engraver, Exacto knife

In Glennda and Bruce Do Times Square, Glennda is taken on a night tour of Times Square by author Bruce Benderson.

Originally commissioned by University of Dortmund to be installed during Internationalen Bach-Symposium. The video is based on the Robert Schumann song of the same name and continued to evolve as an ongoing piece.

Showcasing a solo organ recital, Victor Solo features seven sets of organ works. A narrator, possibly the organ player, announces work titles before each set.

This is the audiovisual translation of the Walter Benjamin's Theses on the Philosophy of History.

The Dream of the Darkest Hour takes the intrigue and mystery of Bobe's other works but exacerbates it in such a way that it is overpowered by aesthetics and experimental tonality.

A holiday video of good cheer and feline ferocity, this annual tradition of videotaped festivities centers on the oriental and occidental tidbits that make the season worthy for bipeds on wheels as they pedal from one calorie laden event to another.

In this early black and white, reel-to-reel video, small game traps are set to catch the rain.

"Here is Everything presents itself as a message from The Future, as narrated by a cat and a rabbit, spirit guides who explain that they've decided to speak to us via a contemporary art video because they understand this to be our highest form

Nine individuals visit the Santa Monica Mall and share their thoughts and feelings about love with Wendy Clarke and her camera. Love Tapes: Santa Monica Mall is part of Clarke's ongoing project, Love Tapes.

"You don't have to go to Hawaii to be in Hawaii. Nor do you have to be sensual to feel sensual. You look the way you are supposed to look. The sensuality of Hawaii completely fascinates me in this video."

—Ximena Cuevas

The film centers on the images of the Gulf War, which caused worldwide outrage in 1991.

The projection and screens in this installation are access points meant to connect the present to an ancestral past.

John Smith’s Flag Mountain records a vast flag, the insignia of the Turkish Republic of Northern Cyprus, painted onto the side of the Kyrenia mountains overlooking Nicosia, the divided capital of the former island nation.

Eric Fischl's early works were large-scale abstract paintings. While teaching in Nova Scotia, Fischl began to shift from abstraction to smaller, image-oriented paintings, beginning with narrative works that investigated a fisherman's family.

The Erosions series develops the concepts of oxidation, wear and entropy from an audiovisual and cinematographic perspective.

Other works in the Erosions series include Barranca and Viral.

The unusual combination of a sound like a singing saw accompanies sweet images of frolicking lambs in the meadow, galloping horses, and a strange boy, is eerily beautiful and pure.

Rong Xiang is a work on architectural replicas, piracy and its consequences. It is a comparison of LeCorbusier's chapel Notre Dame Du Hautin Ronchamp, France with its exact replica in Zhengzhou, Henan province East China.

"Bricks, white noise, video. Free floating sync, altered, drifiting camera: video image and time. Keying permutations, switching via gray level values, using a modified b+w Sony special effects generator (SEG).

Incense Sweaters & Ice is a new feature film inspired by the idea that anything one does while being watched is a performance. The film follows three protagonists — Mrs.