At a garbage transfer station in suburban Connecticut, seagulls make a home for themselves among the mountains of trash, skillfully co-existing with massive bulldozers, trucks and masked workers.

Part of paraconsistent sequence series and the hauntology series.

"Ursula Biemann’s Writing Desire is a video essay on the new dream screen of the Internet and how it impacts on the global circulation of women’s bodies from the third world to the first world.

The scales of the snake refract a trance and invocation. In the epicenter, the pyramids join Izcóatl's battle, the Obsidian Serpent propagates an exhortation: all the dances against the war.

Miller & Shellabarger, their breath made visible by the cold of a refrigerated room, exchange breath with each other.

C.L.U.E. (color location ultimate experience), Part 1 is a collaborative video and performance work by artists A.L. Steiner and robbinschilds, with AJ Blandford and Seattle-based band Kinski. Inhabiting the intersection of human movement and architecture, A.L. Steiner and robbinschilds (Sonya Robbins and Layla Childs) present a full-spectrum video, set to a score by rock quartet Kinski.

A short encounter between the artist and a man on a North African street is slowed down, forcing the viewer into an intimate relationship with the subject and the shifting emotion seen in his face.

Sirrocco was a drag performer and club icon in Cincinnati, Ohio during the 1980s and 1990s, and was also a close neighbor and friend of Teramana’s.

As a foulness shall ye know Them. Their hand is at your throats, yet ye see Them not; and Their habitation is even one with your guarded threshold. The wind gibbers with Their voices, and the earth mutters with Their consciousness.

In the case of Carlos Motta’s career, the impetus has always been on, not adhering to particular medium or a particular style, but rather using media as it becomes appropriate tell a story that has heretofore been stifled by dominant power structures.

Hub proposes that the idea of home is today perhaps better expressed as a sense of being between places.

Dani Leventhal gathered material for 9 minutes each day, then condensed it down to this 16-minute video montage of impressions which has a cumulative effect, accessed and read differently depending on the mental connections the viewer makes.

In this classic personal elegy, Kubota mourns her father's death and recounts the last days of his life.

John Cage’s work has had an immeasurable influence on 20th Century music and art, and his formal and technological innovations were tied to his desire to push the boundaries of the art world.

Inspired by a riff on a popular joke “Everybody wanna be a black woman but nobody wanna be a black woman,” Notes On Gesture is a video comparing authentic and dramatic gestures.

"Combining the comical with the absurd, I created six funny faces to animate the images of Japanese vowels while differentiating between 'image', 'letter', and 'voice'."

— Takahiko iimura

Bee Film is a collaboration between filmmaker Cathy Lee Crane and composer Beth Custer that explores the life of bees in Hilo, Hawaii and their human caretakers who are working to preserve an endangered species. 

...were repeatedly raised and lowered and people grew exhausted from never knowing if the moment was at hand or was still to come A project of The Speculative Archive "Peace. I don't want it. Justice. Why? Victory? Makes me sick! Love?

Ring attempts to exhibit the “sweet science” of boxing in an elegant way.

Elizabeth Murray (1940-2007)  was an American painter, printmaker and draughtsman.

If you lived here you’d be home by now occurs during the years of Williamsburg Brooklyn’s overheated real estate market, just before the 2008 financial bubble burst.

Desire and the Home: Program 1

Challenging the dominant ways of making and critiquing art, feminist art practice in the 1970s stressed personal connections to materials and immediacy of context over formal abstraction.

A sound-essay set in the Tallahatchie County Second District Courtroom in Sumner, Mississippi, mythicPotentialities is an exploration of the event said to have galvanized the civil rights movement in America, the murder of Emmett Till, the tria

Women with a Past brings together four 20th Century artists — Yvonne Rainer, Christine Choy, Martha Rosler, and Nancy Spero — in videotaped interviews, shaped and edited by Lyn Blumenthal to examine the art of documentary.

Sentences is a beguiling, hypnotic meditation on the poetics of space.

Letting go of realist constraints, and going back to the mirror-images of some of Provost’s famous previous works, we are diving into a cosmic ocean of ever metamorphosing baroque circumvolutions in which our minds try to capture reassuring forms before

Ulrike Ottinger is a prolific German filmmaker whose work includes Madame X (1977), Ticket of No Return (1979), Freak Orlando (1981), Johanna D'Arc of Mongolia (1989), Countdown (1989), and Exile Shanghai

I Have Always Been A Dreamer is an essay film about globalization and urban ecology using the examples of two cities in contrasting states of development: Dubai, UAE and Detroit, U.S.A.

"We are happy. (Silence.) What do we do now, now that we are happy?"

-- Samuel Beckett, Waiting for Godot

As sad as it can be to be trapped in a TV show, singing words you don't even know the meaning of.

Cheang’s work from the early-to-mid 1990s demonstrated an exciting fusion of identity politics and erotic exploration, making her one of the period’s most prominent queer media artists.

This early Videofreex production exemplifies the type of imaginative approach that the collective adopted when exploring the medium of video, and how, in many ways, this balance of play and experimentation defined and unified the group's work from the v

Craig Owens (1950-1990) was a critic who wrote and lectured extensively on contemporary art. He showed particular interest in the issues of photography, postmodernism, feminism, and Marxist thought. A former associate editor for October and senior editor for Art in America, as well as professor of art history at Yale University and Barnard College, his writings were collected in Beyond Recognition: Representation, Power, and Culture (1994). Owens died of an AIDS-related illness in 1990.

Victor Burgin (b.1941) is known as a highly influential artist and a renowned theorist of still and moving images.

An upside-down close-up of the artist’s mouth, Nauman repeats the words “lip sync” as the audio track shifts in and out of sync with the video.

Made for Madrid Pride 2017, Wonders Wander is a location based mobi-web-serial with four fictional episodes set in Madrid.

“For quite some time the Hamburg artist Cornelia Sollfrank has been researching female hackers and found that hacking is a field completely under male domination.

A wide-screen video diptych of scenes shot during two different periods in Moscow––old footage from 1990 and newer from 2009.

A five-minute video collaboration between Dani Leventhal and Steve Reinke.

…..Listen!….. hear the words from warm skin…..’words’ that whisper….’words’ that shout.

In Fagtasia Solstice, Brenda and Glennda attend a Radical Faerie event in New York City to commemorate the Summer Solstice.

Eerily drifting through soft fades, superimposed images, close-ups, and visual feedback, this tape follows less a narrative structure and more a stringing together of seemingly random activities, set against two very different soundtracks.

Mel Chin (b. 1951) received national attention when he had to defend the artistic merits of his work Revival Field to the NEA in 1990.

William T. Wiley (b. 1937) combines a variety of materials (found objects, wood, animal hides, rope, paint) with poetry, puns, hearsay, and legends to present a very complex and enigmatic personal vision.

A documentary presenting an overview of Eduardo Kac's trajectory, including interviews with the artist and with art critics Annick Bureaud, Christiane Paul, and Arlindo Machado.

...a "mordantly nostalgic" sojourn across America. A landscape of mute streets, empty rooms and serene fields; the remains of a civilization which has momentarily disappeared.

–– Ken Kobland

"A cinematic doppelganger without precedent, Elisabeth Subrin’s Shulie

Following the premise that water will always find its level, the term Communicating Vessels describes the way liquid moves between conjoined containers: gravity and pressure conspire to keep the surfaces aligned, pulling the shared liquid back and forth

"When we show you pictures of napalm victims, you'll shut your eyes. You'll close your eyes to the pictures. Then you'll close them to the memory.

"A meditation on history, memory, and change in Central and Eastern Europe, Buried in Light is a non-narrative journey, a cinematic collage.