In the words of activist Dhoruba Bin Wahad, “Historical and social events are subject to almost instant censorship by those who have better access and control over the medium of communication.

Inspired by a chapter in Francois Rabelais' 1653 epic novel Gargantua & Pantagruel wherein Pantagruel finds that the explosions, cries and other sounds generated from a battle that had occurred the year befor

A personal interpretation of the poetry and letters of T.S. Eliot that explores the ambiguities of language and space in a scenario built around an anagram.

From an isolated wooded cabin a trans man star gazes, scruff chats with guys, watches YouTube tutorials, takes drugs, and lies about taking drugs - feeling his way through a cosmology of embodiment.

This program presents different approaches to looking at war, and to using images of war.

Video portraits of activists, lawyers, artists, and people simply in the wrong place at the wrong time, accused by the U.S. government of being or aiding terrorists, in these great times.

Urban parks consist of two major elements: nature and man-made forms. Parks play an important role in the urban environment, offering relief in everyday life.

A woman recounts her story of the mass exodus of Palestinians from Jerusalem. Beginning with the arrival and ending with the departure, the tale moves backwards in time and through various landscapes.

Made with Ian Bourn.

A depiction of the forced development of a hothouse flower. Organic growth is progressively overtaken by a more sinister mechanical process.

This video was originally part of an installation at the Whitney Museum of American Art, part of which included the video collaboration Channels of Desire.

During 1998 and 1999, Pelon participated in various Internet newsgroups and lists where suicide is the main subject. Stories unfolded as the film was made; some reached the point of no return.

Using imagery from a Japanese "creature feature" and a chewing gum commercial, Benglis's camera focuses on different parts of the screen to emphasize different messages.

An ordinary living room with a green screen, TV, and domestic cat serves as the backdrop for this DIY introduction to experimental philosophy. The president of a company is considering a vice president's moneymaking scheme.

A video essay set in the Mexican-U.S. border town of Ciudad Juarez, where U.S. multinational corporations assemble electronic and digital equipment just across from El Paso, Texas.

Year of the Spawn is an archival collage inspired by the synonymous song by the “gay church folk” band The Hidden Cameras. Wolf interpreted the song as an anthem for doomed youth.

The Bible Belt is exactly what its name implies: a belt attached to a bible that comes with a sturdy brass buckle, in the name of "Jesus", dipped in gold. We've created a special television spot of a televangelist selling the belt.

Thinking of herself as a spy assigned by the female sex, Green reinterprets baseball’s symbolism—its womblike landscape, its cycles and rituals—and constructs an iconography that pays homage to the female.

A historical analysis of the on-going war in the Western Sahara. Liza Bear interviews Abdullah Majdid, the Polisario Front's United Nations representative.

Jacqueline Goss and Jenny Perlin retrace the journey of two 18th-century astronomers tasked with determining the true length of the meter.

The Dying Swan is a recreation of the acclaimed ballet — Russian ballerina Anna Pavlova's most famous role — borrowed from its theatrical context and taken back to the lake.  A frozen pond and fifteen-degree weather

An homage to Walter Benjamin and other time-traveling artists and expatriates that have inspired me, especially Chris Marker. Benjamin, fleeing from fascism in the 1930s, took refuge in Paris where Biblioteque Nacional became his home away from home.

A world with no escape... from the surveying cameras, an eye, a presence, always there to control our minds and movements. Looking even for the most secure little movements of life. 

Sounds in the Distance is a video adaptation of David Wojnarowicz's 1982 book Sounds in the Distance: Thirty-five Monologues from the Road.

Don’t You Like the Green of A? is based on the correspondences between letters and colors specific to Joan Mitchell’s synesthesia––a condition that Henricks happens to share with her.

Rosler calls Domination and the Everyday, with its fragmented sounds, images, and crawling text, an artist-mother's This Is Your Life.

An audience-interactive game of Mad Libs, with support from a linguistically challenged newcomer. We replace various parts of speech in newspaper articles to create new, customized meanings.

A short inquisition of science by the paranormal.

Notorious art and architecture group Ant Farm's unique vision arrives on DVD in this release showcasing some of the group's most popular works.

“Christopher Wilcha’s fascinating feature-length video reminds us how seldom we’re allowed to see certain businesses operating from the inside.

In this piece Dani Leventhal recounts to camera her experiences of living and working in Israel, the fabled land of milk and honey of childhood lessons.

In this episode of The Live!

The Night Visitors is a movie about moths. In large and small fragments, looking both inward and out, through a critical lens that is by turns social and personal, the film closely examines these under-known creatures.

In Takeover of the Empire State Building, Brenda and Glennda visit the top of the Empire State Building as it is lit up in lavender for Gay Pride.

Developed as a body of work deployed across New Red Order’s unique live ‘TedTalk on Acid’ style event format, this series of videos unpacks efforts to 'decolonize' institutions that are embodied in ritual acts of acknowledging Indigenous pr

Ramon's attraction to his Mexican hometown has resulted in his building a massive new residence for his family. However, his wife, Rufina and their grown children have no interest in leaving the U.S. The building has now been transformed into a hotel.

Sequences of landscapes shot in an area of 60 km make up mosaics of places and reference axes constantly changing that do not exist in our surroundings. In this video bodies are not near or far. They are large or small.

A collection of the early video works by Chip Lord dealing with the deconstruction of television and the construction of identity.

Bill Murray and Christopher Guest lead a behind-the-scenes tour of the 1976 showdown between the Dallas Cowboys and the Pittsburgh Steelers.

Set between Swaziland and South Africa, in a region still struggling with the divisions produced by an apartheid government, Greetings to the Ancestors documents the dream lives of the territory’s inhabitants as the borders of consciousness dis

The Palace at 4 am is the experience of a fragile palace of collisions suspended in a montage vision. A hazy patchwork of structures. The Palace becomes visible only to repeatedly collapse in a liminal interference of the absence.

"A major influence for generating ideas for me was not what I could contrive on my desktop, but being open and receptive to “accident”.

Moving towards an unknown destination, a group of anonymous passengers float through an unidentified landscape. Built from Cohen’s archive documenting his travels, the film can be seen as a curious parable.

My TV Dictionary: The Drill is one of several video works Breder created by re-editing recorded footage from cable television movies.

Pop-Pop Video: Kojak/Wang takes a shootout from Kojak and extends the shot and counter-shot into a potentially endless battle.

A silent film essay considers the production of Robert Flaherty's seminal 1922 documentary, Nanook of the North (also known as, A Story Of Life and Love In

Martí arrives in Bilbao for an artistic residency. His clothes take up only a small part of the huge wardrobe in his new room. When he meets someone, the wardrobe gradually begins to fill up.

A lonely girl is approached by a shy boy on a moonlight balcony. Their longing is hampered by the mysteries of love. The Divers is a neo-romantic audiovisual painting.

The tension arising between the demands of AIDS activism and Bordowitz's increasing desire to explore aspects of his own life outside the framework of AIDS resulted in the appropriation of a work from the Soviet avant-garde: Nikolai Erdman's play Th