The Early Sun, Red As A Hunter's Moon follows this temporal tradition in an interpolation of Kiowa lore in excerpts from N.

Stop action animation, paint on a single canvas.

Showcasing local documentaries made on 1/2" equipment, Changing Channels was a weekly alternative video magazine produced by University Community Video (UCV) and aired on public television station KCTA, Minneapolis.

A collection of the early video works by Chip Lord dealing with the deconstruction of television and the construction of identity.

THE DRESS: is a projection prop created for a performance piece at the Art Institute in 1984.

Known for his fast-paced and hilarious videos exploring Hapa identity and Asian American media portrayal, artist Kip Fulbeck has been featured on CNN, MTV and PBS.

In 1966, the Syrian government's Ministry of Endowments solicited plans for a building to replace a 14th-century Mamluk mosque in Martyr's Square in the center of Damascus. A young architect proposed a design for a 5-star hotel and new mosque.

A young man recovering from emotional wounds, defiantly re-enters the outside world that welcomes his return with all its abundant miracles.

Yvonne Rainer combines a dance performance she choreographed for Mikhail Barryshnikov’s White Oak Dance Project in 2000 with texts by Oscar Kokoschka, Adolf Loos, Arnold Schoenberg, and Ludwig Wittgenstein—four of the most radical innovators in

"how looking at what has become the skeletons of photographs is a visual lecture on aesthetic pleasure or emotion.

Jonas intercuts scenes of the Nova Scotia countryside with images of a studio set-up reminiscent of a di Chirico painting.

...after the war.

An interview with a group of people shot in October 1969, some of whom were involved in The Weathermen’s "Days of Rage" actions. As those present recount the significance of the actions, and the possible ramifications on the movement as a whole, some critics voice serious complaints.

This tape grew out of my fascination with Ronald Reagan and his uncanny ability to demonstrate what I called the 'Signifiers of Americanism'. Through gesture and intonation, he seemed to suggest many of the virtues that Americans hold dear.

Workers Leaving the Factory — such was the title of the first cinema film ever shown in public.

The viewer meets a grab-bag of gabby folks from here and abroad as I drop by to see them or they come to my apartment for tea and sympathy. You also get to visit endangered film showcases and see people who are now either deceased or divorced.

This experimental Pixelvision piece explores the tenuous boundaries of gender through a series of mini-sequences, among them a group of anecdotes told by women who have been mistaken for men and a must-see synchronized barbershop scene.

An episodic adventure highlighting the riff between mind and body. Through a series of animated narratives, role reversals and associations, images are driven out and stacked one on top another.

Teramana spends time with drag performer Dainty Adore O’Hara (Mitchell Allan Marco) in Dainty’s apartment in New York City.

Shown at the Brooklyn Museum of Art, Brooklyn. The Real Art World Episodes explore the awkward social interaction of the studio visit.

Part of paraconsistent sequence series.

The movement’s founder Lois Severin, a former Trotskyite turned suburban housewife, was responding to the move from mass sociopolitical engagement of the 1960s and '70s to the personal fulfillment fant

Drawing from Flaubert's The Temptation of Saint Anthony, his letters, travel journals, and biography, this video layers fantasy, sexual obsession, morbidity, Romanticism, and boredom alongside the ghostliness of empty hotel rooms, aural atmosph

In the summer of 1996 we filmed application training courses in which one learns how to apply for a job.

A black cat and a polka-dotted string puppet frolic amid the painted backdrops of a happy universe, while outside, in the real world, the reality washes away amid the onslaught of H2O and granulated granite. A merging of the plastic and the profane.

This title is only available on Kip Fulbeck Selected Videos: Volume One.

Over The Horizon is a moving image installation that takes its name from the failed radar system developed on Orford Ness in Suffolk during the Cold War.

The daughter of a famous detective infiltrates a vice ring of white slavery, only to become ensnared in a sordid world of Burlesque houses and subterranean urges best left buried under law-enforcement paperwork.

“A spoof on current art attitudes [that] stretches the definition of what can be considered art. Because the late 1960s and early 1970s were periods of innovation, using the human body as art, making process equivalent to product...

A structure of Lawrence Weiner.

Graphics and Computer Editing: K. Hassett; The Song: “Wind and the Willows” Music: Ned Sublette, ASCAP; Lyrics: Lawrence Weiner BMI; Cover Photo: Alice Weiner

In 2003, Rosler announced an open call for a live re-staging of her 1975 video Semiotics of the Kitchen, to be held at the Whitechapel Gallery in London, for A Short History of Performance, Part II.

Another dream film. Eschewing the hyperkineticism so beloved of Super 8 makers, I locked off my camera and wrote a slow narrative, combining live action and animation.

A re-reading/ re-construction of a Wooster Group theater production: Part I / LSD: Just the High Points, 1978

This film is a reflection on descendants and ancestors, guided by a 50 year old audio recording of my grandmother learning the Pechanga language from her mother.   After being given this tape by my mother, I interviewed her and asked abou

The police phoned. They left a message on the machine. They said he was dead. The video unwinds through stories of sex for rent, unclaimed bodies, cigarette burns, and other monuments of life’s long run from wall to wall.

For over two years we made it our business to document abandoned working gloves on the streets of NYC.

This chaotic fantasy involves an underground empire of Halloween-type entities that bedevil the surface people of earth with yellow rays that cause civilians to go on murderous rampages.

A cinematic place where the mountains crash into each other in a field of magma and fire. A landscape of events.

Between job losses, foreclosures, living with family, and the Cande’s constant desire to return to Mexico, Pancha and Cande work through the strains of their marital relationship in San Diego County.

The Turkish national anthem, regularly sung in schools on Mondays and Fridays, is recorded with Super-8 and video to capture the fragile links that tie young citizens to nationhood.

This tape examines the meaning, impact, and future of the early-1980s avant-garde through interviews with artists (Scott B., Robert Longo, Walter Robinson, Michael Smith), an art dealer (Helene Winer, Metro Pictures), a museum director (Marcia Tucker, T

Work, film, work, film, work – day to day – week to week. This is a home movie domestic comedy experimental film drama. Autobiography too. It’s also part four of an ever-growing trilogy.

An experimental documentary comprised of regional vignettes about faith, force, technology and exodus.

The artist uses wire to suspend a block of ice in a pit-like industrial space. He swings the ice block, which is lit by a similarly swinging light bulb on a separate pendulum.

A personal interpretation of the poetry and letters of T.S. Eliot that explores the ambiguities of language and space in a scenario built around an anagram.

After the ominous attack that the paramilitary and police corporations carried out on September 26, 2014, in Iguala, Guerrero, the student Aldo Gutiérrez Solano remains in a coma until today.

An homage to Walter Benjamin and other time-traveling artists and expatriates that have inspired me, especially Chris Marker. Benjamin, fleeing from fascism in the 1930s, took refuge in Paris where Biblioteque Nacional became his home away from home.

The personal odyssey recorded in The Laughing Alligator combines methods of anthropological research with diaristic essay, mixing objective and subjective vision.

The Sun Quartet is a solar composition in four movements, a political composition in four natural elements, an audiovisual composition in four bodily mutations: a sun stone where youth blooms in protest, a river overflowing the streets, the bur

This video retells and disorders an important of a pre-Columbian Native American city directly across the Mississippi River from modern St.